Thomias Radin

Kimbé Rèd Pa Moli

February 12–March 12, 2022


Installation Views

<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022

Kimbé Rèd Pa Moli. Installation view, Steve Turner, 2022

Kimbé Rèd Pa Moli. Installation view, Steve Turner, 2022

Kimbé Rèd Pa Moli. Installation view, Steve Turner, 2022

Kimbé Rèd Pa Moli. Installation view, Steve Turner, 2022

Kimbé Rèd Pa Moli. Installation view, Steve Turner, 2022

Kimbé Rèd Pa Moli. Installation view, Steve Turner, 2022

Kimbé Rèd Pa Moli. Installation view, Steve Turner, 2022

Kimbé Rèd Pa Moli. Installation view, Steve Turner, 2022

Kimbé Rèd Pa Moli. Installation view, Steve Turner, 2022

<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Kimbé Rèd Pa Moli</em>. Installation view, Steve Turner, 2022 thumbnail

Works

Thomias Radin. <em>One is enough to set up the freedom</em>, 2019. Oil on linen, 64 1/4 x 61 inches (163.2 x 154.9 cm)
Thomias Radin. <em>Till Infinity</em>, 2020. Oil and collage on linen, 64 1/2 x 51 1/4 inches (163.8 x 130.2 cm)
Thomias Radin. <em>Am I my brother keeper ?</em>, 2021. Oil on linen, 70 7/8 x 51 1/4 inches (180 x 130.2 cm)
Thomias Radin. <em>L'élévation</em>, 2021. Oil on linen, 64 3/4 x 48 7/8 inches (164.5 x 124.1 cm)
Thomias Radin. <em>War dogs</em>, 2021. Oil on linen, 33 1/8 x 33 1/8 inches (84.1 x 84.1 cm)

Thomias Radin. One is enough to set up the freedom, 2019. Oil on linen, 64 1/4 x 61 inches (163.2 x 154.9 cm)

Thomias Radin. Till Infinity, 2020. Oil and collage on linen, 64 1/2 x 51 1/4 inches (163.8 x 130.2 cm)

Thomias Radin. Am I my brother keeper ?, 2021. Oil on linen, 70 7/8 x 51 1/4 inches (180 x 130.2 cm)

Thomias Radin. L'élévation, 2021. Oil on linen, 64 3/4 x 48 7/8 inches (164.5 x 124.1 cm)

Thomias Radin. War dogs, 2021. Oil on linen, 33 1/8 x 33 1/8 inches (84.1 x 84.1 cm)

Thomias Radin. <em>One is enough to set up the freedom</em>, 2019. Oil on linen, 64 1/4 x 61 inches (163.2 x 154.9 cm) thumbnail
Thomias Radin. <em>Till Infinity</em>, 2020. Oil and collage on linen, 64 1/2 x 51 1/4 inches (163.8 x 130.2 cm) thumbnail
Thomias Radin. <em>Am I my brother keeper ?</em>, 2021. Oil on linen, 70 7/8 x 51 1/4 inches (180 x 130.2 cm) thumbnail
Thomias Radin. <em>L'élévation</em>, 2021. Oil on linen, 64 3/4 x 48 7/8 inches (164.5 x 124.1 cm) thumbnail
Thomias Radin. <em>War dogs</em>, 2021. Oil on linen, 33 1/8 x 33 1/8 inches (84.1 x 84.1 cm) thumbnail

Steve Turner is pleased to present Kimbé Rèd Pa Moli, a solo exhibition by Berlin-based Thomias Radin which features paintings that arise from his distinctive practice of melding dance with painting. The resulting canvases feature a fragmented dervish of a figure against colorful backgrounds. The figure is Radin’s and the background is Caribbean. The movements relate to his Guadeloupian homeland and are inspired by the double consciousness he feels as a Black expatriate living in Germany. He uses the musical technique of sampling to depict fragments of memory and experience and aims to convey the fundamental elements of dance – intuition, intimacy and vulnerability. According to Radin: “I paint like I dance. I move and feel with an intuitive freedom of expression, using multiple body languages to be in tune with the music of painting.”

Thomias L. Radin (born 1993, Abymes, Guadeloupe) earned an MFA from the University of Rennes (2018) and has had a solo exhibition at Savvy Contemporary, Berlin (2019) where he later became curator and artistic director of dance. Kimbé Rèd Pa Moli is Radin’s first solo exhibition in the United States and his first collaboration with Steve Turner. His work will next be featured by Steve Turner at Expo Chicago (April 2022).

Radin wishes to dedicate this exhibition to the people of Guadeloupe. Its title is drawn from a well-known creole adage which means, “Hold on, Do not falter,” and is meant to encourage his countrymen who are suffering from record unemployment, inflation, lack of hospital services and polluted water.

Born 1993, Abymes, Guadeloupe
Lives and works in Berlin, Germany


Education
2018
MFA, Rennes 2 University, France

2015
BFA, Rennes 2 University

Solo Exhibitions
2022
Kimbé Rèd Pa Moli, Steve Turner, Los Angeles

2019
The Myth of Inner Landscapes, SAVVY Contemporary, Berlin

2016
The myth of a Trinity, Antipode, Rennes. France

Group Exhibitions
2021
P.1.u.r, Haus der Statistik, Berlin
The Fairest x Direkte Auktion ‘Lets experiment’, Berlin
Cross-Side crystal Hybrid orbital, HVW8 Gallery, Berlin

2020
Home Alone, ATM Gallery, New York
0010, Thomias Radin & Dennis Rudolph, Hanz Studio, Berlin

2018
Berlin-Lagos Mobility and Heritage, Galerie Wedding, Berlin

2017
31/5 in Progress, Hotel Pasteur, Rennes

2016
Hibiscus, Galerie Art & Essai, Rennes