Hannah Epstein - Images
Hannah Epstein. Unbridled, 2020. Wool, acrylic, polyester, cotton and burlap, 108 x 113 inches (274.3 x 287 cm)
Hannah Epstein. Triple Trick, 2020. Wool, acrylic, polyester, cotton and burlap, 38 1/2 x 27 inches (97.8 x 68.6 cm)
Hannah Epstein. Bat Boy II, 2020. Wool, acrylic, polyester, cotton and burlap, 48 x 38 inches (121.9 x 96.5 cm)
Hannah Epstein. Tiger Tongue, 2020. Acrylic, polyester, cotton and burlap, 36 x 32 inches (91.4 x 81.3 cm)
Hannah Epstein. Jeffrey, 2020. Wool, acrylic, cotton and burlap, 34 x 26 inches (86.4 x 66 cm)
Hannah Epstein. Death Rites (Eyes on the Prize), 2020. Wool, acrylic, cotton and burlap, 33 x 17 inches (83.8 x 43.2 cm)
Hannah Epstein. Lil Bo Peep’s Lost Sheep, 2020. Wool, acrylic, polyester, cotton and burlap, 17 x 40 inches (43.2 x 101.6 cm)
Kill Your Captors. Installation view, Steve Turner, 2021
Kill Your Captors. Installation view, Steve Turner, 2021
Kill Your Captors. Installation view, Steve Turner, 2021
Kill Your Captors. Installation view, Steve Turner, 2021
Kill Your Captors. Installation view, Steve Turner, 2021
Hannah Epstein, OMG I’M GONNA DIE, 2020 Wool, acrylic, cotton and burlap 20 x 36 inches (50.8 x 91.4 cm)
Hannah Epstein, Superchill In Hell: Abandon All Hope!, 2020 Wool, acrylic, cotton and burlap 25 x 30 inches (63.5 x 76.2 cm)
Hannah Epstein Hanski, Ice Cream, 2020 Wool, acrylic, cotton and burlap 54 1/2 x 31 inches (138.4 x 78.7 cm)
Hannah Epstein, Real East Coast Lifestyle, 2020 Wool, acrylic, cotton and burlap 32 x 37 1/2 inches (81.3 x 95.3 cm)
Hannah Epstein. My “I’m With Cancelled” Shirt, 2020. Acrylic, cotton, burlap and shirt, 23 x 24 inches (58.4 x 61 cm)
Hannah Epstein, Superchill In Hell: Existence Is Suffering, 2020 Wool, acrylic, cotton and burlap 29 x 25 inches (73.7 x 63.5 cm)
Hannah Epstein. There Is Nothing To See (Behind the CCP), 2020. Wool, acrylic, cotton and burlap, 45 x 54 inches (114.3 x 137.2 cm)
Hannah Epstein. Ego & Intuition, 2020. Wool, acrylic, cotton and burlap, 29 x 39 inches (73.7 x 99.1 cm)
Hannah Epstein. SpaceX/Mass Murder/fuct, 2020. Wool, acrylic, cotton and burlap, 51 x 56 inches (129.5 x 142.2 cm)
Hannah Epstein, Anna Deciding When to Detonate the Vest, 2020 Acrylic, cotton and burlap 39 x 17 inches (99.1 x 43.2 cm)
Hannah Epstein, Male Textile Artist Starter Pack , 2020 Acrylic and burlap 26 x 36 inches (66 x 91.4 cm)
Hannah Epstein. Fists of Furry, 2019. Wool, polyester, cotton, burlap and found llama head, 63 x 62 x 8 inches (160 x 157.5 x 20.3 cm)
Hannah Epstein. Baby Yoda Riding My Desire to Have a Child, 2019. Wool, polyester, cotton and burlap, 19 x 28 inches (48.3 x 71.1 cm)
Making Bets in a Burning House, Installation view, Steve Turner, 2020
Making Bets in a Burning House, Installation view, Steve Turner, 2020
Hannah Epstein. Pink Neck, 2020. Digital print on lycra; polyfill and wood, 31 x 30 x 2 inches (78.7 x 76.2 x 5.1 cm)
Making Bets in a Burning House, Installation view, Steve Turner, 2020
Hannah Epstein. Power Piece, 2019. Wool, acrylic, polyester and burlap, 27 x 30 inches (68.6 x 76.2 cm)
Hannah Epstein. Quick Escape, 2019. Wool, acrylic, polyester and burlap, 19 x 20 inches (48.3 x 50.8 cm)
Art Brussels. Installation view, 2019
Hannah Epstein. Night Shift, 2019. Acrylic, polyester, wool, 40 x 57 inches (101.6 x 144.8 cm)
Hannah Epstein. Catemine, 2019. Wool, acrylic, polyester and burlap, 24 x 27 inches (61 x 68.6 cm)
Hannah Epstein. ¡Las Llamas Locas!, 2019. Wool, acrylic, polyester and burlap, 54 x 40 inches (137.2 x 101.6 cm)
Art Lima. Hannah Epstein, Installation view, Steve Turner, April 2019
Hannah Epstein. Britney, 2019. Wool, acrylic, polyester and burlap, 32 x 39 inches (81.3 x 99.1 cm)
Hannah Epstein. Bury Him!, 2019. Wool, acrylic, polyester and burlap, 44 x 18 inches (111.8 x 45.7 cm)
Art Lima. Hannah Epstein, Installation view, Steve Turner, April 2019
Hannah Epstein. Cruhnch, 2018. Acrylic, wool and burlap, 76 x 51 inches (193 x 129.5 cm)
Hannah Epstein. Superchill (DYWAFTTOS?) Episode 1, 2018. Acrylic, wool, polyester and burlap, 82 x 44 inches (208.3 x 111.8 cm)
Hannah Epstein. Do You Want A Free Trip To Outer Space?, Installation View, Steve Turner, January-February 2019
Hannah Epstein. Superchill Issue No. 1 Cover Page, 2018. Wool, acrylic, polyester and burlap, 94 x 53 inches (238.8 x 134.6 cm)
Hannah Epstein. Big Blue Alien, 2018. Acrylic and burlap, 111 x 154 inches (281.9 x 391.2 cm)
Do You Want A Free Trip To Outer Space?, Installation View, Steve Turner, 2019
Hannah Epstein. Planet Earth, 2018. Acrylic and burlap, 56 x 52 inches (142.2 x 132.1 cm)
Hannah Epstein. The Drink Runs Dry, 2018. Wool, acrylic, polyester and burlap, 64 x 42 inches (162.6 x 106.7 cm)
Hannah Epstein. The Long Trip Home, 2018. Acrylic, wool, polyester and burlap, 62 x 54 inches (157.5 x 137.2 cm)
Do You Want A Free Trip To Outer Space?, Installation View, Steve Turner, 2019
Hannah Epstein, Ya ZaZa, 2018. Wool, acrylic, polyester and burlap, 67 x 45 inches (170.2 x 114.3 cm)
Hannah Epstein, Eat Mondays, 2018. Wool, acrylic, polyester and burlap, 30 x 49 inches (76.2 x 124.5 cm)
Hannah Epstein. "Big Blue Bunny", 2018. Wool, acrylic, polyester and burlap, 97 x 95 inches (246.4 x 241.3 cm)
Hannah Epstein. East Coast Dream Girl, 2018. Wool, acrylic, cotton, polyester, and burlap, 45 x 71 inches (114.3 x 180.3 cm)
Hannah Epstein. Monster World, Installation view, Steve Turner, January-February 2018
Hannah Epstein. Soft Teeth, 2017. Wool, acrylic, polyester and burlap, 48 x 35 inches (121.9 x 88.9 cm)
Hannah Epstein. The Hybrid Kid, 2017. Acrylic, cotton, polyester and burlap, 66 x 47 inches (167.6 x 119.4 cm)
Hannah Epstein. Mouser, 2017. Wool, acrylic, cotton, polyester and burlap, 55 x 41 inches (139.7 x 104.1 cm)
Hannah Epstein. Monster World, Installation view, Steve Turner, January-February 2018
Hannah Epstein. Bellona, 2017. Acrylic and burlap, 54 x 50 inches (137.2 x 127 cm)
Hannah Epstein. Making Fun of War, 2017. Acrylic and burlap, 54 x 50 inches (137.2 x 127 cm)
Hannah Epstein. 9 Ahngry Babes, 2017. Wool, acrylic and burlap, 18 x 18 inches (45.7 x 45.7 cm)
Hannah Epstein. Monster World, Installation view, Steve Turner, January-February 2018





























































