Adam D. Miller

Rise of the Minotaur

June 1 – June 30, 2012

Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller
Adam D. Miller

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

Rise of the Minotaur, Installation View, Steve Turner Contemporary, June 2012

T Rex / Without Words to Name and Identify Them, the Objectivity of Things in Our World Became Compromised, 2012. Graphite and colored pencil on paper, 21 3/4 x 28 3/4 inches

Gamera / Error Has Turned Animals Into Men, and to Each the Fold Repeats, 2012. Graphite and colored pencil on paper, 28 1/2 x 22 3/4 inches

Cthulu / The Tower Indicates a Symbolic Wish to Transcend Duality and Achieve Some Kind of Union With a Fundamental State of Pure Consciousness, 2012. Graphite and colored pencil on paper, 28 3/4 x 22 3/4 inches

Enter the Sun Gate, 2012. Oil and latex enamel on canvas, 72 x 64 inches

Staff, 2012. Tree branches, oil stick, spray paint, twine and wood pedestal, 82 1/2 x 11 x 13 inches

Staff, 2012. Tree branches, oil stick, spray paint, twine and wood pedestal, 82 1/2 x 11 x 13 inches

Bastard of Crete (Minotaur), 2012. Oil and latex enamel on canvas, 50 x 58 inches

Armageddon Barbarian, 2012. Oil and latext enamel on canvas, 72 x 70 inches

A Sword Raised in Judgement (Bear Head), 2012. Oil, acrylic and latex enamel on canvas, 56 x 52 inches

The Visitors, 2012. Oil and latex enamel on canvas, 72 x 70 inches

Pyramid / Beneath the Ruins, 2012. Latex enamel, oil stick, spray paint, cardboard, twine, found hockey masks and synthetic hair, 60 x 44 1/2 x 22 1/4 inches

Pyramid / Beneath the Ruins, 2012. Latex enamel, oil stick, spray paint, cardboard, twine, found hockey masks and synthetic hair, 60 x 44 1/2 x 22 1/4 inches

Wolf / We Left the Apes to Rot, But Find the Fang Still Grows Within, 2012. Collage on paper, 36 3/4 x 24 1/4 inches

Chimera / The Left Hand of Creation, 2012. Oil stick and flashe on paper, 28 1/4 x 22 1/4 inches

Chimera / Bow Down to the Legion of Serpents, 2012. Oil stick and flashe on paper, 28 1/4 x 22 1/4 inches

Totem / Bird of Prey, 2012. Latex enamel, oil stick and cardboard, 114 x 84 x 31 1/2 inches

Jason / For Those Called Forth Must Return to the Void, 2012. Collage and oil stick on paper, 22 x 29 1/2 inches

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Steve Turner Contemporary is pleased to present Rise of the Minotaur, a solo exhibition by Los Angeles-based artist Adam D. Miller. The exhibition will feature painting, drawing, collage and sculpture, all of which portray humans or animals in states of aggressive or violent behavior. Miller’s technique of drawing with oil stick on canvas, using jagged lines, dense patterning and vibrant colors, is well suited to depicting the snarling faces central to his expressionistic compositions.

The artist incorporates imagery from Greek mythology, pre-Columbian art, metal culture, horror movies, textile design, fantasy illustration and comics to investigate man’s unchecked destructive instincts. The minotaur, as well as the human-animal hybrids found throughout the exhibition, symbolizes the conflict between human nature and animal behavior, suggesting that man must confront his own violent nature in order to free himself from its controlling presence.

A publication with text by Benjamin Weissman and hand printed covers by the artist will be available for free at the opening. The edition is limited to 300 copies.

Born in Bellevue, Washington in 1982, Miller received an MFA from Art Center College of Design (2008). His works have been included in group exhibitions in Los Angeles including at Eagle Rock Center for the Arts (2012), RAID Projects (2011), Actual Size Gallery (2011), Luckman Gallery (2011) and 533 Gallery (2010).

Steve Turner Contemporary is a contemporary art gallery based in Los Angeles that represents the work of emerging and established contemporary artists. Gallery hours: Tuesday-Saturday, 11- 6. Please contact the gallery for further information.

Contact: Steve Turner, steve@steveturner.la, 323.931.3721