January 7 – February 11, 2017
Opening Reception: January 7, 6-8
Steve Turner is pleased to present CMYK, a three-person exhibition featuring color-based abstract paintings by Adam Henry, G.T. Pellizzi and Joshua Saunders. Each artist’s studio practice emphasizes experimentation and the use of color as subject matter, yet CMYK also highlights their differences–technique, materials, scale and composition. Although Josef Albers’ influence on color theory is pervasive, CMYK reveals that artists continue to experiment and explore the infinite possibilities of mixing pigments based on cyan, magenta, yellow and black (K), illustrating that the future for abstract painting is as vast as its past.
Adam Henry (born 1974, Pueblo, Colorado) earned a BFA from the University of New Mexico (1997) and an MFA from Yale University School of Art (2000). He has had solo exhibitions at Joe Sheftel Gallery, New York (2012, 2014); Meessen De Clercq, Brussels (2013, 2015) and 247365, New York (2016).
Born in Morelos, Mexico in 1978, G. T. Pellizzi studied philosophy at St. Johns College, Santa Fe (2001) and architecture at the Channin School of Architecture, Cooper Union, New York (2002-2007). While at the Cooper Union, together with some fellow students, he founded the Bruce Quality Foundation and remained an active member for seven years (2004-2011). Since 2011, he has worked on his own with solo exhibitions at Y Gallery, New York (2011 & 2013); Mary Boone Gallery, New York (2014); Revolver Gallery, Lima (2015); Watermill Center for the Arts, Watermill, New York (2015 & 2016); Sala de Arte Publico, Mexico City (2016) and Museo Amparo, Puebla, Mexico (2016).
Joshua Saunders (born 1981, Salina, Kansas) spent his youth in Steamboat Springs, Colorado before earning a BFA at the University of Texas, Austin (2013.) He currently is an MFA candidate at the University of California, San Diego (2017) and has had solo exhibitions at Steve Turner (2016) and CoLab, Austin (2009 & 2014).
Born, 1974 Pueblo, Colorado
Lives and works in Brooklyn
MFA Painting, Yale University School of Art
BFA Double Major Art and Art History, University of New Mexico
Handshakes and Networks, 247365. New York
Repetition (Repetition), Meessen De Clercq, Brussels
Alien Beatnik Siren, Joe Sheftel Gallery, New York
An Aspen’s Inability to be a Pine, Meessen De Clercq, Brussels
In Spectral Form, Joe Sheftel Gallery, New York
Selected Group Exhibitions
CMYK: Adam Henry, G.T. Pellizzi and Joshua Saunders ,Steve Turner, Los Angeles
Scarlet Street, Lucien Terras, New York
Future Developments, David Petersen Gallery, Minneapolis
Bewegung Auge Kopf Hand, Villa Merkel – Bahnwärterhaus. Esslingen am Neckar, Germany
Absolute Beginners, Lucien Terras, New York
Spirit Your Mind, curated by Marie Maertens and Anissa Touati. DAD Video program, Apple TV
Vitreous Humour, Kansas Gallery, New York
A.N.T.H.R.O.P.O.C.E.N.E, Meessen De Clercq, Brussels
LOOM, Lucien Terras, New York
Painting the Sky Blue, Stefan Lundgren Gallery, Palma de Mallorca
Crunchy, organized by Gregory Linn and Clayton Press, Marianne Boesky Gallery, New York
Post Analog Painting, The Hole, New York
Deep Play Fun House, curated by Brent Stewart, Seed Space, Nashville
The Two States of W.W., curated by Andrew Prayzner, TSA New York, Brooklyn
2014 Homo Ludens, Meessen De Clercq, Brussels
This One’s Optimistic: Pincushion, New Britain Museum of American Art. New Britain, Connecticut
Parallax Futured:Transtemporal Subjectivities, Skirball Museum, Cincinnati
Post-Psychedelic Dreams, Grey Area/Glenn Horowitz Bookseller, East Hampton
Go With the Flow, The Hole, New York
Xtraction, The Hole, New York
The Medium’s Session, Zeitgeist, Nashville
Workspace Exhibition, Dieu Donné, New York
Specifically Yours, Joe Sheftel Gallery, New York
Retrospect, Charles Bank Galler, New York
The Third Order, Charles Bank Gallery, New York
Anonymous Presence, Y Gallery, New York
Painted Pictures, curated by Arthur Ou, Blackston Gallery, New York
Neon Sigh, collaboration with Emily Mae Smith, The Arcade, Nashville
In the Heavens of our Imagination, Lost Coast Culture Machine, Ft. Bragg, California
Gradation, Portugal Arte 10- Portuguese Biennial, Lisbon1974
On From Here, Guild and Greyshkul, New York
Room Tones, St Cecilia’s Convent, Brooklyn
Blank, curated by Yi Zhou, Median Museum, Beijing
Plastic Topography, South Street Seaport Museum, New York
The Map, curated by Vandana Jian, ROCA, Nyack New York
Blank, Ke Center for Contemporary Art, Shanghai
Passport -International Globus Dislocater, Roebling Hall, Brooklyn
Invitational, Roski Gallery, University of Southern California, Los Angeles
Working Space, Cuchifritos Project Space, New York
All of a Piece, Geoffrey Young Gallery, Great Barrington, Massachusetts
A Slow Read, Rotunda Gallery, Brooklyn
Irrational Exuberance, Stephan Stux Gallery, New York
Fresh Meat, Center for Experimental and Perceptual Art, Buffalo
Toward a Low End Theory, Minnesota Center for Photography, Minneapolis
The Accelerated Grimace, Silverstein Gallery, New York
Aim 22, Bronx Museum of the Arts, Bronx
Love and Ardor, Geoffrey Young Gallery, Great Barrington,
Location, Midway Contemporary Art, Minneapolis
Waiting List, Geoffrey Young Gallery, Great Barrington
Jablon, Samuel. “Unlocking the Secret Logic of Symbols Through Repetition” (interview), Hyperallergic. September 3
Love, Lucia. “Adam Henry’s ‘Handshakes and Networks’ at 247365 New York” (article), Berlin Art Link. September 19
Adam Henry Monograph, published by Meessen De Clercq
Metzger, Martin. “Tarnkappen der Ironie” (review), Esslinger Zeitung. April 8
Singer, Jill. “Gradients and Geometry in a Brooklyn Artist’s Paintings”, Sight Unseen, March 22
Steverlynck, Sam. “Expo Adam Henry: zoek de verschillen”(review), brusselnieuws.be, May.
Lorent, Claude. “Le langage pictural et son image répétée” (review), Arts Libre, April.
Johnson, Ken. Art in Review “Xtraction”(review), New York Times, June 6.
Akel, Joseph. “Critics’ Picks” (review), Artforum.com, May 29.
Relyea, Lane. “D.I.Y. Abstraction.” WOW HUH, October 8
“The Lookout: Adam Henry at Joe Sheftel” (review), Art in America, June 7.
“Art and Soul, Five Art Shows”, New York Magazine, January 26.
“The Lookout: Specifically Yours at Joe Sheftel”, Art in America, February 17.
Press, Clayton. “Meso-American Remix.” Alterative Latin Investor. December
Nathan, Emily. “New Art.” Artnet, July 28.
Christy, Matt. “Neon Sigh”(review), Art Papers Magazine, June 1
Pem, William. “On from Here”( review), Bones Beat, Village Voice, February 12.
Zhou, Yi, “Adam Henry Interview.” BQ Magazine, April 10.
Genocchio, Benjamin. “Charting Mind and Space” (review), New York Times, March 16.
Xiaohui, Lui. “Begin with the Beginning.” Catalog, Beijing, China.
Zhou, Yi. “Blank.” Exhibition catalog, Shanghai, China.
Kocache, Mouktar. “Site Matters.” D.A.P. press, New York.
Cotter, Holland. “A Slow Read” (review), New York Times, February 23.
Cotter, Holland. “Sampling Brooklyn, Keeper of Eclectic Flames.” New York Times, January 23.
Cantor, Karen. “Universal Objects.” Petite Mort Magazine, October.
Cotter, Holland. “Artist in the Marketplace” (review), New York Times, September 6.
Johnson, Ken. “The Accelerated Grimace” (review), New York Times, July 12.
Kerr, Merrily. “The Accelerated Grimace” (review), New York Arts, September.
Pulkka, Wesley. “Artists Play With Perception in ‘Reconfigure’.” The Albuquerque Journal, April 7.
Fallon, Michael. “Prefablanscapelite” (review), City Pages, February 2.
Selected Residencies and Awards
Workspace Artist, Dieu Donne, New York
Artist in Residence, Vanderbilt University, Nashville
Skowhegan School of Painting & Sculpture, Skowhegan
LMCC Residency at the World Trade Center, New York
Richard Dixon Welling Prize, Yale University
Outstanding Senior Award, Art and Art History, University of New Mexico
Born, 1978 Morelos, Mexico
Lives and works in New York and Mexico
Graduate of Chanin School of Architecture, Cooper Union, New York
Philosophy, St. Johns College, Santa Fe, New Mexico
Selected Solo & Two Person Exhibitions
I Transport, Museo Amparo, Puebla
Constellation in Red, Yellow and Blue, Watermill Center for the Arts, New York
I Transport, Sala de Arte Publico Siqueiros, Mexico City
Visitations, The Watermill Center for the Arts, Watermill, New York
Test Patterns, Revolver Galeria, Lima
Before Completion, Harmony Murphy Gallery, Los Angeles
Libre Circulation de Capitaux Symboliques (after ALENA), Galerie Loevenbruck, Paris
Financial Times, Mary Boone Gallery, New York
The Red & The Black, Y Gallery, New York
Johannes Vogt Gallery (with A.K. Burns), New York
Border Paintings, Peveto Gallery (with Ray Smith), Houston
The Execution of Maximilian, Y Gallery (with Ray Smith), New York
Transitional, Y Gallery, New York
Beyond Pastoral, The Hoxton Square Tram Shed, London
BHQFU: Resistance and Futility, The Creative Time Summit, New York
THE WORLD IS NOT ENOUGH: The Retrospective, Bruno Bischofberger Galerie, Zurich
Self Portraits, The Fireplace Project, East Hampton
The Bruce High Quality Foundation University, Susan Inglett Gallery, New York
Happy Endings, Art Basel Miami Beach
Empire, Cueto Project, New York
Cats on Bowery, LaMaMa, New York
The Retrospective, Susan Inglett Gallery, New York
The Great Wall, Duve Galerie, Berlin
L’eau de Vie, Un Film de Jean-Luc Godard, Fundacion Jumex, Cine Morelos, Cuernavaca
Arthur Kills Again, ArtHaus, Miami
Public Sculpture Tackle, Various locations, New York
Rent Strike! & Other Activist Jingles from the Crypt of Bruce High Quality, Various locations in New York, Brooklyn
CATS on Broadway, The Bruce High Quality Foundation, Brooklyn
Anthology Film Archives, New York
Yale School of Art, New Haven
Cooper Union School of Art, New York
Parsons School of Design, New York
Savannah College of Art and Design, Savannah
L’eau de Vie, Un Film de Jean-Luc Godard, White Box, New York
The Gate: Not The Idea of The Thing But The Thing Itself, Cueto Projects, New York
BHQF: New Miami Location, Miami
The Life and Death of Bruce High Quality, Deitch Projects, New York
A Cheap Publicity Stunt, Lower Manhattan Cultural Council, New York
Maybe Not Today, Maybe Not Tomorrow. But Soon and for The Rest of Your Life, Buick Building, Miami
Selected Group Exhibitions
CMYK: Adam Henry, G.T. Pellizzi and Joshua Saunders, Steve Turner, Los Angeles
Despues del Eden, La Tallera, Cuernavaca
De Tierra, Fuego, Agua Y Vento: Ceramica de Morelos, Museo Morelense de Arte Popular, Cuernavaca Individual Stories: Collecting As Portrait And Methodology, Kunsthalle Wien, Wien
Transmission: Recreation and Repetition, Beaux-Arts de Paris, Paris
Bloodflames Revisited, Paul Kasmin Gallery, New York
Mana Exposition: All the Best Artists are My Friends (Part 1), Mana Contemporary, Jersey City, New Jersey
Biennial of the Americas: Draft Urbanism, Urban Interventions, Denver
Neo Povera, L&M Gallery, Los Angeles
La Bienal 2013: Here is Where We Jump, El Museo del Barrio, New York
Une Exhibition Sans Textes, Jeu de Paume, Paris
El Regreso de los Dinosaurios, Abrons Art Center, New York
Color Go Lightly, Valentine Gallery, Bridgehampton, New York
Wanderings, Y Gallery, New York
Le Carnavalesco, Piso 51, Mexico City
Blue Mango Moqueca, Casona Spencer, Cuernavaca,
Field of Dreams (Un Mundo Nuevo),
Celebrate Brooklyn, Brooklyn
Dreamlands, Centre Pompidou, ParisSunless, Sala Veronicas, Murcia, Spain
Greater New York, P.S.1 Contemporary Art Center, Long Island City
The Independent, New York
Whitney Biennial 2010, The Whitney Museum of American Art, New York
Brucennial 2010: Miseducation, Brucennial, New York
SOLACE, Austrian Cultural Forum, New York
Art History with Benefits, Performa, New York
1969, P.S.1 Contemporary Art Center, Long Island City
PLOT 9: This World or Nearer Ones, Creative Time, New York
No Bees, No Blueberries, Harris Lieberman Gallery, New York
No Soul for Sale: A Festival of Independents, X Initiative, New York
Greenwashing: Beyond Pastoral (Shroud of Turin), Sandretto Re Rebaudengo Foundation, Turin
Sierra, Sonia, Guarda el Museo en un Contenedor, EL UNIVERSAL, February
Cruz, Antimio, “Yo Transporto” Muestra Espacio Intimo que Habitan las Obras de Arte, LA CRONICA, February
CVA, Artista Inaugura Piezas en SAPS, EXCELSIOR, February
Cisneros, Javier, “Yo Transporto: Ser como Obra de Arte por un Dia, EL ECONOMISTA, February
Gochez, Adriana, Instalacion Recrea el Traslado de Obras, LA RAZON, February
Zambrano, Lourdes, Arma la SAPS Expo Autosustentable, REFORMA, February
Staff, ‘Caja’ Dialoga con Siqueiros, VANGUARDIA, February,
Test Patterns, terremoto.mx, 24 July.
Calvo, Max Hernandez, Un Puente Entre La TV y El Arte, EL COMERCIO, June
Adler, David, G.T. Pellizzi, Financial Times, Mary Boone Gallery, NY, FINANCIAL TIMES, 28 February
Ekstrand, A.M., G.T. Pellizzi “Financial Times” at Mary Boone Gallery, ART OBSERVED, February
Provosty, Nathlie, In Conversation: G.T. Pellizzi, THE BROOKLYN RAIL, February 2014, Cover, pp. 2-5. (illus: Constellation in Red (Figure 1), Cover, C).
Binlot, Ann, G.T. Pellizzi: Graphic design, THE ECONOMIST.COM, 17 January
Rossetti, Chloé, Critics’ Picks: G.T. Pellizzi, ARTFORUM.COM, January
Gallant, E., Neo Povera at L&M Los Angeles, ART OBSERVED, July
Cotter, Holland, A Constellation of Identities, Winking and Shifting, THE NEW YORK TIMES, 14 June p. C23.
Staff, Execution of Maximilian, ART NEWS, April
Staff, Critics Picks: ‘Execution of Maximiliam’, ART IN AMERICA, March
Bui, Phong, In Conversation: G.T. Pellizzi and Ray Smith with Phong Bui, THE BROOKLYN RAIL, March
Schultz, Charles, Transitional, THE BROOKLYN RAIL, October
Gratza, Agnieszka, Transitional, ARTFORUM, September
Hirsch, Faye, P.S.1 Greater New York, ART IN AMERICA, September p. 131.
Kleinman, Adam, P.S.1 Greater New York, ARTFORUM, September p. 323.
Smith, Roberta, Take Me Out to the Big Show in Queens, THE NEW YORK TIMES, 29 May
Plagens, Peter, The 2010 Whitney Biennial, ART IN AMERICA, May, pp. 43-46.
Goosen, Moosje, The Bruce High Quality Foundation, METROPOLIS M, April/May, pp. 41-45.
Neustein, Andrea, Bruce Alrighty?, NYFA CURRENT, 1 March
Decter, Joshua, Review: Bruce High Quality Foundation at Susan Inglett Gallery, ARTFORUM, March, p. 250.
Hudson, Suzanne, Review: 1969 at P.S.1 Contemporary Art Center, ARTFORUM, March 2010, pp. 250-251.
Berwick, Carly, Higher Education, ART IN AMERICA, March 2010, pp. 59-64.
Cotter, Holland, At a Biennial on a Budget, Tweaking and Provoking, THE NEW YORK TIMES, 25 February
Cotter, Holland, Who Needs the Whitney? They Have Their Own Show, THE NEW YORK ITMES, 25 February
Wolff, Rachel, Best of Whitney Biennial, THE DAILY BEAST, 24 February
Finch, Charlie, A Room of One’s Own, ARTNET, 24 February
Vogel, Carol, Inside Art: Their Own Brucennial, THE NEW YORK TIMES, 19 February
Finch, Charlie, Juice at the Bruce, ARTNET, 18 FebruaryGoldstein, Andrew M., Amber Vilas, and Andrew Russeth, Whitney Biennial 2010 Breakdown: The New York Kids, ARTINFO, 17 February
Parinaz, Mogadassi, Bruce High Quality, PURPLE MAGAZINE, 6 February
Douglas, Sarah, Conversation with Bruce High Quality Foundation, ART AND AUCTION and ARTINFO.COM, February
Princenthal, Nancy, Of the Moment: Sights and Sounds of Performa ‘09, ART IN AMERICA, February pp. 45
Wilson, Michael, The Bruce High Quality Foundation University: An Artist Collective Kicks It New School,TIME OUT NEW YORK, 14 January
Colman, David, The Nifty Fifty, THE NEW YORK TIMES, 6 January
Suter, G., Go See – New York, NEW YORK OBSERVED, 6 January
Staff, Critics Picks, TIME OUT NEW YORK, 31 December
Smith, Roberta, Cutbacks in Plans but Not in Energy, THE NEW YORK TIMES, 17 December
Staff, Previews: December 10, WHITEWALL, 10 December
Ashman, Angela, Class Act: An Art School for Artists by Artists, THE VILLAGE VOICE, 8 December
Chaplin, Julia, And the Beat Goes On: A Night Out With Members of the Bruce High Quality Foundation, THE NEW YORK TIMES, 4 December
Garcia, Carnelia, The Bruce High Quality Foundation at Susan Inglett Gallery, MODERN PAINTERS, 1 December
Staff, Alternative Power, ART AND AUCTION, December
Cotter, Holland, The Year of Tumult, THE NEW YORK TIMES, 30 October, pp. C21, C27.
Saltz, Jerry, A New Kind of Boom, NEW YORK MAGAZINE, 4 October
Smith, Roberta, Artists Without Mortarboards, THE NEW YORK TIMES, 13 September
Alemani, Cecilia, The Bruce High Quality Foundation: Our Future is About Expansion, MOUSSE MAGAZINE, September
Saltz, Jerry, Jerry Saltz’s Want-to-Sees, ARTNET.COM, September
Saltz, Jerry, Jerry Saltz’s Want-to-Sees, NEW YORK MAGAZINE, 31 August, pp. 72-73.
Rinebold, Mary, Money Talks, ARTNET, August
Steinhauer, Jillian, PLOT09: Exploring the World of Governors Island, ARTINFO, 26 July
Keith, Kelsey, Design Picnic: The Artful Way to Déjeuner Sur L’Herbe, FLAVORWIRE, 9 July
Smith, Roberta, Public Art, THE NEW YORK TIMES, 2 July
Wilson, Michael, The Ferry Tale, ARTFORUM, 1 July
Laster, Paul, PLOT/09 Presents a Public Art Extravaganza on NYC’s Governors Island, FLAVORPILL, 30 June Steiker, Valerie, And Nine Other Great Cultural Things To Do This Summer, VOGUE.COM, 26 June
Halle, Howard, This World & Nearer Ones, TIME OUT NEW YORK, 25 June
Smith, Roberta, Art Review: ‘Plot/09’ Island as Inspiration and Canvas, THE NEW YORK TIMES, 25 June
Levine, Hannah, Governors Island: Reimagined and Still Creepy, THE L MAGAZINE, 24 June
Bonnet, Noémie, Creative Time Presents PLOT/09: This World & Nearer Ones, FLAVORPILL, 12 June
Orden, Erica, Zombies Invade Governors Island, NEW YORK MAGAZINE, 12 June
Shaw, Cameron, Enter the Afterlife: A Conversation with The Bruce High Quality Foundation, ART IN AMERICA, 23 March
Shuster, Robert, The Bruce High Quality Foundation: ‘Empire’, THE VILLAGE VOICE, 18 February
Staff, Artist Book Reviews, THE UMBRELLA ONLINE, June
Heller, Maxwell, Le Radeau: Bruce High Quality Foundation Lands in Chelsea, THE BROOKLYN RAIL, June
Smith, Roberta, The Listings, THE NEW YORK TIMES, 16 May
Seely, Thomas, FLAVORPILL, May
Staff, THE VILLAGE VOICE, January
Blagojevic, B., Events, Features, Upcoming, THE ZINE, 10 December
Wagner, James, JAMES WAGNER, 8 August
Davis, Ben, Fair Flip-Flops, ARTNET, 27 July
Clements, Erin, and Ethan LaCroix, The Best and Worst of 2005, TIME OUT NEW YORK, 29 December
Staff, NEW YORK ENTERTAINMENT, 10 October
Turner, Elisa, THE MIAMI HERALD, June
Wang, Michael, ARTFORUM, 4 March
Kennedy, Randy, THE NEW YORK TIMES, 2 March
Wooldridge, Jane, Madeleine Marr, and Daniel Chang, THE MIAMI HERALD, 5 December
Staff, THE ART NEWSPAPER, 3 December Skoggard, Carl, NEST MAGAZINE, Fall
Lives and works in San Diego
BFA, University of Texas, Austin
MFA, University of California, San Diego
Rock Candy, Steve Turner, Los Angeles
Kind of Blue, CoLab, Austin
Re-Objectified, Do-Right Hall, Marfa
Crip/Blood, Domy Books, Austin
Objectification, Big Medium, Austin
Psuedo-Masochism, Wurhaus, Austin
Wizard Sleeve, Birdhouse Gallery, Austin
Hanged Man, CoLab, Austin
Gluey Vuitton, Birdhouse Gallery, Austin
CMYK: Adam Henry, G.T. Pellizzi and Joshua Saunders, Steve Turner, Los Angeles
UNTITLED (with Steve Turner), Miami Beach
Object Type, UCSD SME Gallery, San Diego (Curated by Monique van Genderen and Kim MacConnel)
Creative Nights, Lux Art Institute, Encinitas (Curated by Mike Whiting)
Cherry on Topless, Topless Gallery, Rockaway, New York (Curated by Brent Birnbaum and Jenni Crain)
Fun for Summer, Entwine, New York (Curated by Alison Kuo and CoWorker projects)
Tragic Songs From The Grassy Knoll, Dallas (Curated by Bruce Lee Webb)
Fall Risk, Eleven Seventeen Garland, Austin (Lance Letscher, Joshua Saunders)
Juvenile Intention Center, Conduit Gallery, Dallas (Fahamu Pecou/ Stephen Lapthisophon/Joshua Saunders)
More Awkward Then Heavy, Up Collective, Austin (Curated by INK Tank Collective)
Teenage Wasteland, CoLab, Austin (Curated by Julia Hungerford)
Monster Show #6, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo, Travis Kent)
Swallow, 1400 Cedar, Austin (Curated by Jen Daly)
Gun and Knife Show, Cental Trak, University of Texas, Dallas (Curated by Heyd Fontenot)
Monster Show #5, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo)
Texas Crude, CoLab, Austin (Curated by Matt Winters)
Pretend You Are Rich, Austin (Curated by J. Haley)
Up to Something, Bay Six Gallery, Austin
Silent Night, Birdhouse Gallery, Austin (Curated by Kevin Foote)
Monster Show #4, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo)
Teeny Tiny Diorama Zoo, CoLab, Austin (Curated by Amanda Jones)
Death Is Not The End, Holly Street Compound, Austin (Curated by Bill Jeffery)
Artfagcity’s Rob Pruitt Awards: Best Use of Genitalia: February 2012
Austin Critics Table Awards: Work of Art: Independent or Public Project, Nominee May 2012
Campbell, Andy. “Top 10 Visual Arts of 2012,” Austin Chronicle, January 4
Frank, Priscilla. “George Bush Art Gagosian Bound? Internet Prank Had Us Worried For A Second,” The Huffington Post, March 26
Chan, Tracie, “Joshua Saunders: Crip/Blood,” Austinist, January 13
Campbell, Andy, “‘Joshua Saunders: Crip/Blood’,” Austin Chronicle, February 17
Frank, Priscilla, “The 10 Best Art Pranks In History,” The Huffington Post, April 1
Geha, Katie, “Eleven Seventeen Garland,” Glasstire Texas, August 31
van Ryzin, Jeanne Claire, “A little take on Marfa’s culture clash.” Austin 360, October 26
Franco, Josh, “”INTERVIEW: Joshua Saunders with Josh T. Franco,” zing magazine, July 27
Nelson, Austin, “Misinform: Joshua Saunders Interpreted,” Cantanker Magazine, Summer 2010