Adam Linn

Edge Crush

 January 14–February 11, 2023

Installation Views

<em>Edge Crush</em>. Installation view, Steve Turner, 2023
<em>Edge Crush</em>. Installation view, Steve Turner, 2023
<em>Edge Crush</em>. Installation view, Steve Turner, 2023
<em>Edge Crush</em>. Installation view, Steve Turner, 2023
<em>Edge Crush</em>. Installation view, Steve Turner, 2023
<em>Edge Crush</em>. Installation view, Steve Turner, 2023
<em>Edge Crush</em>. Installation view, Steve Turner, 2023
<em>Edge Crush</em>. Installation view, Steve Turner, 2023
<em>Edge Crush</em>. Installation view, Steve Turner, 2023

Edge Crush. Installation view, Steve Turner, 2023

Edge Crush. Installation view, Steve Turner, 2023

Edge Crush. Installation view, Steve Turner, 2023

Edge Crush. Installation view, Steve Turner, 2023

Edge Crush. Installation view, Steve Turner, 2023

Edge Crush. Installation view, Steve Turner, 2023

Edge Crush. Installation view, Steve Turner, 2023

Edge Crush. Installation view, Steve Turner, 2023

Edge Crush. Installation view, Steve Turner, 2023

<em>Edge Crush</em>. Installation view, Steve Turner, 2023 thumbnail
<em>Edge Crush</em>. Installation view, Steve Turner, 2023 thumbnail
<em>Edge Crush</em>. Installation view, Steve Turner, 2023 thumbnail
<em>Edge Crush</em>. Installation view, Steve Turner, 2023 thumbnail
<em>Edge Crush</em>. Installation view, Steve Turner, 2023 thumbnail
<em>Edge Crush</em>. Installation view, Steve Turner, 2023 thumbnail
<em>Edge Crush</em>. Installation view, Steve Turner, 2023 thumbnail
<em>Edge Crush</em>. Installation view, Steve Turner, 2023 thumbnail
<em>Edge Crush</em>. Installation view, Steve Turner, 2023 thumbnail

Works

Adam Linn. <em>Full-length Wardrobe</em>, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 36 x 48 inches (91.4 x 121.9 cm)
Adam Linn. <em>Seeker Sneaker</em>, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 36 x 48 inches (91.4 x 121.9 cm)
Adam Linn. <em>Revealer</em>, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 48 x 36 inches (121.9 x 91.4 cm)
Adam Linn. <em>Queen-size Fit</em>, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 24 x 36 inches (61 x 91.4 cm)
Adam Linn. <em>Tickler</em>, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 36 x 24 inches (91.4 x 61 cm)
Adam Linn. <em>Necking Knobs</em>, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 14 x 11 inches (35.6 x 27.9 cm)
Adam Linn. <em>Full Frontal</em>, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 10 x 8 inches (25.4 x 20.3 cm)
Adam Linn. <em>Twister</em>, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 10 x 8 inches (25.4 x 20.3 cm)

Adam Linn. Full-length Wardrobe, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 36 x 48 inches (91.4 x 121.9 cm)

Adam Linn. Seeker Sneaker, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 36 x 48 inches (91.4 x 121.9 cm)

Adam Linn. Revealer, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 48 x 36 inches (121.9 x 91.4 cm)

Adam Linn. Queen-size Fit, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 24 x 36 inches (61 x 91.4 cm)

Adam Linn. Tickler, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 36 x 24 inches (91.4 x 61 cm)

Adam Linn. Necking Knobs, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 14 x 11 inches (35.6 x 27.9 cm)

Adam Linn. Full Frontal, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 10 x 8 inches (25.4 x 20.3 cm)

Adam Linn. Twister, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 10 x 8 inches (25.4 x 20.3 cm)

Adam Linn. <em>Full-length Wardrobe</em>, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 36 x 48 inches (91.4 x 121.9 cm) thumbnail
Adam Linn. <em>Seeker Sneaker</em>, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 36 x 48 inches (91.4 x 121.9 cm) thumbnail
Adam Linn. <em>Revealer</em>, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 48 x 36 inches (121.9 x 91.4 cm) thumbnail
Adam Linn. <em>Queen-size Fit</em>, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 24 x 36 inches (61 x 91.4 cm) thumbnail
Adam Linn. <em>Tickler</em>, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 36 x 24 inches (91.4 x 61 cm) thumbnail
Adam Linn. <em>Necking Knobs</em>, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 14 x 11 inches (35.6 x 27.9 cm) thumbnail
Adam Linn. <em>Full Frontal</em>, 2022. Colored pencil, crayon and watercolor on paper mounted on panel, 10 x 8 inches (25.4 x 20.3 cm) thumbnail
Adam Linn. <em>Twister</em>, 2022. Color pencil, watercolor and crayon on paper mounted on panel, 10 x 8 inches (25.4 x 20.3 cm) thumbnail

Steve Turner is pleased to present Edge Crush, a solo exhibition by New York-based Adam Linn featuring new paintings that depict stretched, twisted, condensed and collapsed domestic spaces. The edges of his paintings serve to confine the image within, undermining the common notion that there is a world of implied imagery beyond the perimeter of a canvas. Linn reveals and conceals, giving objects anthropomorphic traits that get intertwined with the main figure so as to blur the distinction between the animate and inanimate and to make the main figure almost indiscernible. Like a warm taffy pull, locks, keys and zippers stretch into impossible articulations that defy their conventional material constraints and entirely lack straight lines. According to Linn, his distorted compositions aim to disrupt the heteronormative assumptions aligned with the idea of home.

Adam Linn (born 1995, Pittsburgh) earned a BFA in Printmaking from the Rhode Island School of Design (2017) and has completed residencies at the Vermont Studio Center; Anderson Ranch Arts Center, Snowmass Village, Colorado  and the Distillery Program at the Brewhouse Association in Pittsburgh. His work has been included in group exhibitions at Steve Turner, Los Angeles; Ortega y Gasset Projects, New York; Martha’s Contemporary, Austin; Eve Leibe, London and JPS, Hong Kong. He is currently pursuing his MFA in painting and drawing from SUNY Purchase.

Born 1995, Pittsburgh, Pennsylvania
Lives and works in New York

Education
2017
BFA, Rhode Island School of Design, Providence

Solo Exhibitions
2023
Edge Crush, Steve Turner, Los Angeles

2022
Curtain Call, JPS Gallery, Tokyo

2019
Sugar In The Tank, Imagebox Gallery, Pittsburgh

Group Exhibitions
2022
Figuring, Steve Turner, Los Angeles
Honey in the Hive, Shin Haus of Shin Gallery, New York
Art Central, Hong Kong (with HKCEC)
Eve Presents II, Eve Leibe Gallery, London
Himerica, Eve Leibe Gallery, London
Ortega Y Gasset Flatile Exhibition, Brooklyn

2021
Art for Change, PERSAD Benefit Acution, Pittsburgh
Not Just Another Anthropecentric Love Story, Trestle Gallery, Brooklyn
Borough Baroque, 5-50 Gallery, Queens

2020
Sit…Play Dead, Super Duchess Gallery, New York
Seeking Truth, Distillery Group X Exhibition, Brewhouse Association, Pittsburgh

2019
Associated Artists of Pittsburgh 107th Annual Group Exhibition, Westmoreland Museum of American Art, Greensburg, Pennsylvania
Witness, G I CW Gallery, Pittsburgh
Soak Rinse Repeat, Dual Exhibition with Bridget Quirk, Bunker Projects, Pittsburgh
Pittsburgh Print Group New 2019 New Members Exhibit, PullProof Studio, Pittsburgh

2018
The End, Framehouse and Jask Gallery, Pittsburgh
Fragmented Realities, Nonfinito Gallery, New York Sight Lines, Butler St. Lofts, Pittsburgh

2017
Circles Without Breaks, Local Project, Long Island City, New York
Radiant Hall, Framehouse and Jask Gallery
Some Day My Prints Will Come: Senior Printmaking Exhibition, Woods-Gerry Gallery, Rhode Island School of Design, Providence

Bibliography
2022
Gorny, Liz. “Why a pink pussycat sits at the heart of Adam Linn’s deeply tonal, coloured pencil practice,” It’s Nice That, April
“Aritist Of The Week,” LVL3, September

2021
The Coastal Post: Remote Visits Part VII

2020 “Anniversary Edition 20,” ArtMaze Mag, Issue 20