Émilie Brout & Maxime Marion

Deliverance

June 17 – July 22, 2017
Opening Reception: June 17, 7 – 9pm



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Émilie Brout & Maxime Marion. Deliverance, Installation view, Steve Turner, June 2017

Émilie Brout & Maxime Marion. Deliverance, Installation view, Steve Turner, June 2017

Émilie Brout & Maxime Marion. Deliverance, Installation view, Steve Turner, June 2017

Émilie Brout & Maxime Marion. Deliverance, Installation view, Steve Turner, June 2017

Émilie Brout & Maxime Marion. Deliverance, Installation view, Steve Turner, June 2017

Émilie Brout & Maxime Marion. Oasis Max Life, 2016. Tablet computers in floral foam, steel pedestal, 59 x 15 3/4 x 15 3/4 inches

Émilie Brout & Maxime Marion. Oasis Max Life, 2016. Tablet computers in floral foam, steel pedestal, 59 x 15 3/4 x 15 3/4 inches

Émilie Brout & Maxime Marion. Deliverance, Installation view, Steve Turner, June 2017

Émilie Brout & Maxime Marion. Return of the Broken Screens (Samsung Galaxy Tab 2), 2016. Broken found tablet, video, 7 1/2 x 4 3/4 x 1/2 inches

Émilie Brout & Maxime Marion. Deliverance, Installation view, Steve Turner, June 2017

Émilie Brout & Maxime Marion. Return of the Broken Screens (Apple iPhone 4), 2015. Broken found smart phone, video, 4 3/4 x 2 1/4 inches

Émilie Brout & Maxime Marion. Return of the Broken Screens (Apple iPhone 4 II), 2016. Broken found smart phone, video, 4 3/4 x 2 1/4 inches

Émilie Brout & Maxime Marion. ♥ Paintings (wheresaddie), 2017. Oil on smart phone, 5 1/2 x 6 1/2 inches.

Émilie Brout & Maxime Marion. Denim #5, 2017. Vacuum packed jeans, tablet wall mount, 9 1/2 x 10 x 5 inches

Émilie Brout & Maxime Marion. Denim #4, 2017. Vacuum packed jeans, tablet wall mount, 9 1/2 x 10 x 5 1/2 inches

Émilie Brout & Maxime Marion. Chien-loup>, 2017. Camouflage hunting jackets, straps, 149 3/4 x 31 1/2 x 11 3/4 inches

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Steve Turner is pleased to present Deliverance, a solo exhibition by the Paris-based collaborative duo of Émilie Brout & Maxime Marion featuring video, painting and sculpture that highlight the nexus of nature and new technology.

Among other works, they will present Lightning Ride, a video that consists of Youtube clips of taser training sessions that have been modified frame by frame with a computer-generated oil painting effect. Oasis Max Life is a floral arrangement made of smartphones and tablets displaying gif animations of plant cartoons sprouting from a block of floral arrangement foam. There also will be a painting (oil on smartphone) that depicts a floral scene found on Instagram over which the artists directly painted.


Born 1984 and 1982
Live and work in Paris

Education & Research
2007-2009
ENSAD Research Lab, École Nationale Supérieure des Art Décoratifs De Paris, Paris

2008
In/Out X.0 lab, CiTu, La Bellevilloise, Paris & ENSA Nancy, Paris

2007
DNSEP (Master of Arts), ENSA Nancy & ESA Aix-en-Provence, Paris

2005
DNAP (Bachelor of Arts), ENSA Nancy, Paris


Solo Exhibitions

2017
Deliverance, Steve Turner, Los Angeles
Quickening, 22,48 m2, Paris
Predator 900R, Espace 36, Saint-Omer, France

2016
Art Brussels (Discovery section), Tour & Taxis, Brussels

2015
Les Nouveaux chercheurs d’or, galerie 22,47 m2, Paris

2014
LOOP Barcelona, Hotel Catalonia Ramblas, Barcelona

2013
Dérives, Galerie 22,48 m2, Paris


Selected Group Exhibitions

2017
Art Brussels (with Steve Turner)
Extracting/Abstracting, Steve Turner

2016
5th Moscow Biennale for Young Art, curated by Nadim Samman, Trekhgornaya Manufaktura, Moscow
Portrait de l’artiste en alter, FRAC Haute-Normandie, Sotteville-lès-Rouen, France
Home Cinema, curated by Charles Carcopino, Daegu Art Museum, South Korea
Not Really Really, Frédéric de Goldschmidt Collection, Brussels
The Black Chamber, curated by Eva & Franco Mattes and Bad Brusadin, Museum of Modern and Contemporary Art, Rijeka, Croatia, HR and Skuc Gallery. Ljubljana, Slovenia
Le Temps de l’audace et de l’engagement – ADIAF Triennale, Institut d’Art Contemporain de Villeurbanne
Neoliberal Lulz, Carrol/Fletcher gallery, London
D’Autres possibles, curated by Thomas Fort, Pavillon Vendome, Clichy

2015
Something Else – Off Biennale Cairo, curated by Elena Giulia Abbiatici, (in)Exactitude in Science, Cairo
Mapamundi Stas: Anti Postales, curated by Alexandra Baurés, Citadel of Pamplona
Bonjour la France !, curated by Sunhee Choi, Aram Nuri Arts Center, Goyang and Seongnam Arts Center
The Human Face of Cryptoeconomies, Furtherfield Gallery, London
Sèvres Outdoors, Cité de la céramique, Sèvres
Art Brussels, Brussels Expo (Heysel), Brussels
Home Cinema, curated by Charles Carcopino, Mac Créteil, France
Miroir, Ô mon miroir, curated by L’Extension, Pavillon Carré de Baudoin, Paris
Convergence, curated by Dominique Moulon, Maison Populaire de Montreuil, France
Promenons-nous…, curated by Caroline Delieutraz & Géraldine Miquelot, Abbaye d’Annecy-le-Vieux

2014
Unoriginal Genius, curated by Domenico Quaranta, Carroll/Fletcher gallery, London
Variation, curated by Dominique Moulon, Espace Blancs Manteaux, Paris
Web Players, curated by Isabelle Arvers, Podfest, Rio de Janeiro
Lovely Days in Bol, curated by galerie Contexts, Bol, Brac, Croatia
Still Water, Galerie 22,48 m2 Paris
Werke sind Wesen, curated by Clément Stehlin, Villa Renata, Basel
Premio Arte Laguna, Telecom Italia Future Centre, Venice

2013
Jeune Création, Centquatre, Paris
Play/display, Galerie 22,48 M2, Paris
The Solo Project, St. Jakobshalle, Basel
Algoshorts Festival, curated by Alexis Kirke, Plymouth University, United Kingdom
Talents Contemporains, Fondation François Schneider, Wattwiller, France
Terrible Two, curated by Garance Chabert, Villa du Parc, Annemasse, France

2012
Uploloload, curated by Caroline Delieutraz & Maxence Alcalde, Galerie 22,48 M2, Paris

2011
Espace Temporaire, Båtiment 76, Geneva

2010
Contrefaçon, Cité des Sciences et de l’Industrie, Paris

2009
Nuit Blanche, Place de Roi-George, Metz, France

2008
Version Beta, biennale, curated by Jean-Louis Boissier, Centre pour l’Image Contemporaine, Genève
Sombres Desseins/Dark Designs, curated by Daniel Sciboz, Maison d’Ailleurs, Yverdon-les-Bains


Awards and Grants

2016
Espace 36, invited residency, St-Omer, France

2015
Villa Belleville, invited residency, Paris
Société Civile des Auteurs Multimédias Grant, Paris

2014
Arte Laguna Prize – Digital Art, overall winner, Venice
DRAC Ile-de-France Grant, Paris

2013
CNC/DICRéAm Grant, Paris
Conseil Général du Val-de-Marne Grant, Val-de-Marne, France

2012
M2F Créations, residency, AIx-en-Provence, France
FRAC Aquitaine Grant, Bordeaux, France

2011
Fondation François Schneider Contemporary Talent Prize, Wattwiller, France

Selected Talks and Screenings

2016 Eki.Art – Dérives, screening and talk, Ekimetrics, Paris
Les Incessants, curated by Céline Poulin, screening, Villa du Parc, Annemasse, France
The Black Chamber – Conference, talk, Kino Siska, Ljubljana, Slovenia

2015
Love Money, round table animated by Isabelle de Maison Rouge, galerie 22,48 m2 , Paris
Re(source)s, round table animated by Dominique Moulon, MAC Créteil, France
Cycle Bleu, screening, Forum des images, Paris
Art of the Networked Practice, talk, School of Art, Design & Media – Nanyang University, Singapore

2014
Inside – Peer to Peer, screening and talk, Palais de Tokyo, Paris
Lovely Days in Bol, curated by galerie Contexts, screening Bol, Brac, Croatia
Cultures numériques, talk, Conservatoire de Chalon-sur-Saone, France
Les Inrocks/Nuit Blanche Off, screening, Basel
Arts de la perturbation, talk, Université Paris 1, centre Saint Charles, France

2013
The Solo Project, St. Jakobshalle, screening Basel
SCAM/104 – Futur en Seine, screening Centquatre, Paris
MashUp Film Festival, talk, Forum de Images, Paris
Algoshorts Festival, curated by Alexis Kirke, screening Plymouth University, United Kingdom

2012
Galerie 22,48 m2 , round table, Paris
Observatoire de l’Image Numérique, talk, Palais de Congrès, Arles

2011
Espèces d’espaces, talk, Ecole Normale Supérieure, Paris

2008
Côté Labo, talk, Le Cube, Issy-Les-Moulineaux, France
DorkBot #9, talk, La Cantine, Paris


Curatorial Projects

2014
Jeaune Création, selection committee, creation and curation of the digital gallery <<White Screen>>, Paris
Copie Copains Club Gets Physical, Fondation Vasarely, Aix-en-Provence, France

2013
Fresh << Refresh, Galerie NaMiMa, Nancy, France
Copie Copains Club, creation and co-curation of the first artists


Selected Press

2016
Quemin, Alain, “Focus: Art Brussels, en belle forme”, La Gazette Drouot, May 6
Gottschalk, Molly, “The 7 Best Booths at Art Brussels”, Artsy, April 21
Morel, Jean, “Ils hantent vos souvenirs et vos photos de touristes”, Nova Planet, April 14
Richard, Claire, “Chercheurs d’or”, L’Obs, April 13
Acha, Gabriela, “Neoliberal Lulz @ Carroll/Fletcher”, Curating the Contemporary, March 24
Kontrec, Melita, “Raztavi Crni Kabinet V Galeriji Skuc”
Holmes, Kevin, “A Hilarious New Exhibition Slay Banking and Big Business”, Vice, February 16
Shaw, Dougall, “The Woman who became a Corporation”, BBC, TV, February 21
Charlesworth, J.J, “The Human Face of Cryptoeconomies” Art Review, January 1

2015
Lechner, Marie, “Strategie 2: Faux-Papeirs”, Goethe Institute, October 12
Cianciotta, Aurelio, “ Nakamoto (The Proof)”, Neural, March 1

2014
Stubbs, Phoebe, “Art’s Post-Internet Identity Crisis” Web, ARTslant, November 17
Ducamp, Alexandra, “Gamerz est dans la place,” La Provence, October 4
Lisowski, Pauline, “Still Water,” Le Corridor, July 21
Tiberghien, Septembre, “Loop Barcelona,” Flux News, June 16

2013
Morvan, A.Le, “Bouillants #5,” Ouest France, April 11

2012
Jumel, Florent, “Uplolololad – Eloge de la réalité diminuée,” Paris ART, December 4
Vernay, Eric, “Explorez les decors de The Shining, Apocalypse Now ou Jaws,” Fluctuat, November 24
Rouher, Clémence, “Art & Paysage,” France 3, June 15

2011
Frespech, Nicolas,”Ceci n’est pas las Fiac,” Poptronics, October 20
Loubes, Christophe, “Web, arts et sociabilité,” Sud-Ouest, September 1

2010
Bancal, Damien, “Jounree mondiale de la propriété intellectuelle,” Zataz.com, April 26

2009
Parent, Sylvie, “Associations Heureuses,” ETC, April 1

2008
Laudouar, Janique,”In/Out x 0,” Artank, November 30
Aokky, Agnes, “Dorkbot Paris, une étrange bande de bidouilleurs de sons,” Rue 89, March 21