George Rouy

Smothered Awake

<em>Smothered Awake</em>. Installation view, Steve Turner, 2018
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018
George Rouy. <em>Crushed</em>, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm)
George Rouy. <em>Gentle Refusal</em>, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm)
George Rouy. <em>Black Swan</em>, 2018. Acrylic on canvas, 88 5/8 x 70 7/8 inches (225 x 180 cm)
George Rouy. <em>Don't Give Us the Morning</em>, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm)
George Rouy. <em>Flirting</em>, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm)
George Rouy. <em>Posing in Our Image</em>, 2018. Acrylic on canvas, 88 5/8 x 70 7/8 inches (225 x 180 cm)

Smothered Awake. Installation view, Steve Turner, 2018

Smothered Awake. Installation view, Steve Turner, 2018

Smothered Awake. Installation view, Steve Turner, 2018

Smothered Awake. Installation view, Steve Turner, 2018

Smothered Awake. Installation view, Steve Turner, 2018

Smothered Awake. Installation view, Steve Turner, 2018

Smothered Awake. Installation view, Steve Turner, 2018

Smothered Awake. Installation view, Steve Turner, 2018

Smothered Awake. Installation view, Steve Turner, 2018

Smothered Awake. Installation view, Steve Turner, 2018

George Rouy. Crushed, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm)

George Rouy. Gentle Refusal, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm)

George Rouy. Black Swan, 2018. Acrylic on canvas, 88 5/8 x 70 7/8 inches (225 x 180 cm)

George Rouy. Don't Give Us the Morning, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm)

George Rouy. Flirting, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm)

George Rouy. Posing in Our Image, 2018. Acrylic on canvas, 88 5/8 x 70 7/8 inches (225 x 180 cm)

<em>Smothered Awake</em>. Installation view, Steve Turner, 2018 thumbnail
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018 thumbnail
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018 thumbnail
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018 thumbnail
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018 thumbnail
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018 thumbnail
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018 thumbnail
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018 thumbnail
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018 thumbnail
<em>Smothered Awake</em>. Installation view, Steve Turner, 2018 thumbnail
George Rouy. <em>Crushed</em>, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm) thumbnail
George Rouy. <em>Gentle Refusal</em>, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm) thumbnail
George Rouy. <em>Black Swan</em>, 2018. Acrylic on canvas, 88 5/8 x 70 7/8 inches (225 x 180 cm) thumbnail
George Rouy. <em>Don't Give Us the Morning</em>, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm) thumbnail
George Rouy. <em>Flirting</em>, 2018. Acrylic on canvas, 88 5/8 x 118 1/8 inches (225 x 300 cm) thumbnail
George Rouy. <em>Posing in Our Image</em>, 2018. Acrylic on canvas, 88 5/8 x 70 7/8 inches (225 x 180 cm) thumbnail

October 27 – December 8, 2018

Steve Turner is pleased to present Smothered Awake, George Rouy’s first solo exhibition in Los Angeles. The London-based artist will present five new large-scale paintings that depict simplified human figures in couples or in groups, that are bent, folded, compressed and interlocked so that their forms barely fit within the confines of the canvas. A sixth depicts a black swan similarly contorted with its neck dramatically bent. The paintings typically have no more than three colors, two of which predominate, which Rouy constructs from numerous layers of thinly applied acrylic paint. In so doing, he creates a wide range of subtle color variation within a broad passage. The combination of strange figuration and powerful color relationships elicits comparisons to Tarsila do Amaral for their rhythm and elongated contortion; to Georgia O’Keeffe for their canvas-filling compositions of life stilled; to Mark Rothko for their soft melding of colors and to Milton Avery for their combination of figuration and experimentation with color. Borrowing from a Rothko quote, in which he described his own motivations, Rouy seeks to “express basic human emotions–tragedy, ecstasy, doom and so on.”

George Rouy (born Sittingbourne, England, 1994) received a Diploma in Art and Design from University for the Creative Art, Rochester (2012) and a BA from Camberwell College of Arts, London (2015). He has had solo exhibitions at Anna Zorina Gallery, New York (2018); Hannah Barry Gallery, London (2018) and J.Hammond Projects, London (2017). Smothered Awake was organized by guest curator Brooke Wise.

Born 1994 in Kent
Lives and works in London

Education

2015 Bachelor of Fine Arts, Camberwell College of Arts, London
2012 Diploma in Art and Design, University of the Creative Arts Rochester, Rochester, United Kingdom

Solo Exhibitions

2018
Smothered Awake, Steve Turner, Los Angeles
Leaking Visions of Red, Anna Zorina Gallery, New York
Squeeze Hard Enough It Might Just Pop!, Hannah Barry Gallery, London

2017
In Dirty Water, J Hammond Projects, London

2016
Coast of the Sun, Dot Project, London

Selected Group Exhibitions

2018
01, PM/AM, London
Metamorphõseõn, Galerie Sultana, Paris
Rhapsodies, PingPong, Brussels
Extra, The Hole, New York
New Bad Painting, V1 Gallery, Copenhagen
The Clean Carcass of the Host, Galerie Sultana and sans titre (2016) for CONDO, Mexico City
Form, Cob Gallery, London

2017
The Unlimited Dream Company, Hannah Barry Gallery, London

2015
Camberwell Degree Show, Camberwell College of Arts, London

2014
GOLD, Oxford Street Space, London
2nd Year Show, Southwark Gallery, London

2013
SPA, Elephant and Castle, London

2012
Parallel Intervention, TATE Modern, London

2012
In To The Garden, Bishop of Rochester’s Garden, London
UCA, Chatham Dockyard, London