Rebecca Brodskis

Tomorrow Is Another Day

July 25–August 29, 2020


Installation views

<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020
Tomorrow Is Another Day_Install 8
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020

Tomorrow Is Another Day. Installation view, Steve Turner, 2020

Tomorrow Is Another Day. Installation view, Steve Turner, 2020

Tomorrow Is Another Day. Installation view, Steve Turner, 2020

Tomorrow Is Another Day. Installation view, Steve Turner, 2020

Tomorrow Is Another Day. Installation view, Steve Turner, 2020

Tomorrow Is Another Day. Installation view, Steve Turner, 2020

Tomorrow Is Another Day. Installation view, Steve Turner, 2020

Tomorrow Is Another Day. Installation view, Steve Turner, 2020

Tomorrow Is Another Day. Installation view, Steve Turner, 2020

Tomorrow Is Another Day. Installation view, Steve Turner, 2020

<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020 thumbnail
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020 thumbnail
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020 thumbnail
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020 thumbnail
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020 thumbnail
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020 thumbnail
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020 thumbnail
Tomorrow Is Another Day_Install 8 thumbnail
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020 thumbnail
<em>Tomorrow Is Another Day</em>. Installation view, Steve Turner, 2020 thumbnail

Works

Rebecca Brodskis. <em>Le Fruit Défendu</em>, 2020. Oil on linen, 43 3/4 x 31 7/8 inches (111 x 81 cm)
Rebecca Brodskis. <em>Quelques Minutes Avant Le Départ</em>, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm)
Rebecca Brodskis. <em>The Listener</em>, 2020. Oil on linen, 39 3/8 x 31 7/8 inches (100 x 81 cm)
Rebecca Brodskis. <em>Masha</em>, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm)
Rebecca Brodskis. <em>Le Sac Dérobé</em>, 2020. Oil on linen, 39 3/8 x 31 7/8 inches (100 x 81 cm)
Rebecca Brodskis. <em>Thelma</em>, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm)
Rebecca Brodskis. <em>La Caresse</em>, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm)
Rebecca Brodskis. <em>Martinow</em>, 2020. Oil on linen, 31 7/8 x 22 inches (81 x 56 cm)
Rebecca Brodskis. <em>The Queen of Volksbühne</em>, 2020. Oil on linen, 27 1/2 x 15 3/4 inches (70 x 40 cm)

Rebecca Brodskis. Le Fruit Défendu, 2020. Oil on linen, 43 3/4 x 31 7/8 inches (111 x 81 cm)

Rebecca Brodskis. Quelques Minutes Avant Le Départ, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm)

Rebecca Brodskis. The Listener, 2020. Oil on linen, 39 3/8 x 31 7/8 inches (100 x 81 cm)

Rebecca Brodskis. Masha, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm)

Rebecca Brodskis. Le Sac Dérobé, 2020. Oil on linen, 39 3/8 x 31 7/8 inches (100 x 81 cm)

Rebecca Brodskis. Thelma, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm)

Rebecca Brodskis. La Caresse, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm)

Rebecca Brodskis. Martinow, 2020. Oil on linen, 31 7/8 x 22 inches (81 x 56 cm)

Rebecca Brodskis. The Queen of Volksbühne, 2020. Oil on linen, 27 1/2 x 15 3/4 inches (70 x 40 cm)

Rebecca Brodskis. <em>Le Fruit Défendu</em>, 2020. Oil on linen, 43 3/4 x 31 7/8 inches (111 x 81 cm) thumbnail
Rebecca Brodskis. <em>Quelques Minutes Avant Le Départ</em>, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm) thumbnail
Rebecca Brodskis. <em>The Listener</em>, 2020. Oil on linen, 39 3/8 x 31 7/8 inches (100 x 81 cm) thumbnail
Rebecca Brodskis. <em>Masha</em>, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm) thumbnail
Rebecca Brodskis. <em>Le Sac Dérobé</em>, 2020. Oil on linen, 39 3/8 x 31 7/8 inches (100 x 81 cm) thumbnail
Rebecca Brodskis. <em>Thelma</em>, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm) thumbnail
Rebecca Brodskis. <em>La Caresse</em>, 2020. Oil on linen, 31 7/8 x 23 5/8 inches (81 x 60 cm) thumbnail
Rebecca Brodskis. <em>Martinow</em>, 2020. Oil on linen, 31 7/8 x 22 inches (81 x 56 cm) thumbnail
Rebecca Brodskis. <em>The Queen of Volksbühne</em>, 2020. Oil on linen, 27 1/2 x 15 3/4 inches (70 x 40 cm) thumbnail

Steve Turner is pleased to present Tomorrow Is Another Day, a solo exhibition by Paris-based Rebecca Brodskis that features nine new highly pared down portrait paintings. According to Brodskis, all of her characters are in an “in between” state, one of suspended animation, frozen still in the precise instant before the storm hits. The figures do not come out of one particular time period. They could be from the 1860s, the 1920s or from now. They are timeless and placeless and convey an overriding anxiety that reflects a highly uncertain future. 

Rebecca Brodskis (b. 1988, Pertuis, France) studied at the Atelier des Beaux Art de la Ville de Paris (2007); Central St. Martins College of Art and Design, London (BA, 2010);  Université de Strasbourg (BA in Sociology, 2013) and Université de Caen Basse Normandie (Masters in Sociology, 2015). Brodskis has had solo exhibitions at Canopy Gallery, Netanya (2019); Gallery Mario Kreuzberg, Berlin (2019); Septieme Gallery, Paris (2019) and Kristin Hjellegjerde, Berlin (2020). This is her first exhibition with Steve Turner.

Rebecca Brodskis creates highly pared down portrait paintings. They have elegant forms with but a few contrasting colors. All of her characters are in an “in between” state, one of suspended animation, frozen still in the precise instant before something happens. The figures do not come out of one particular time period. They could be from the 1860s, the 1920s or from now. They are timeless and placeless and convey an overriding anxiety that reflects a highly uncertain future.


Born 1988, Pertuis, France
Lives and works in Paris

Education
2015
MA, Université de Caen Basse Normandie, France

2013
BA, Université de Strasbourg, France

2010
BA, Central Saint Martins College of Art and Design, London

2007
Ateliers des Beaux Arts de la Ville de Paris

Solo Exhibitions
2020
Tomorrow Is Another Day, Steve Turner, Los Angeles
Fragments of Life, Kristin Hjellegjerde Gallery, Berlin

2019
Dependance, Mario Kreuzberg Gallery, Berlin
Unsettled Disorders, Canopy Gallery, Netanya, Israel

2017
Drifting Singularities, Sputnik Gallery, Tel Aviv

2015
The Broken Faces, Larry Art Space, Berlin

2014
Identity Affairs, Kaleidoskop Gallery, Berlin

2013
The In-between, Shift Gallery, Berlin

Group Exhibitions
2020
Endless Summer, Sabine Bayasli Gallery, Paris
All the days and nights, Kristin Hjellegjerde Gallery, London
L’Autre, Septieme Gallery, Paris

2019
Galeristes (with Hors Cadre Gallery), Paris
Constellations, Galerie du 6B, Saint Denis, France
Where we once were, Young Space

2018
Interference, Le Studio, Paris

2017
Five French artists, Primitive Showroom, Tel Aviv

2016
Human factor, Ori Art Space, Berlin

2015
Disfiguring, figuring the unfigurable, Kelenföldi Erömü, Budapest
Borders, Studio Twins, Berlin
Fading Spirits, The Ballery Gallery, Berlin

2014
Urban Spree Gallery, Berlin

2013
Agora Collects, Agora, Berlin
Atonal, Kraftwerk, Berlin

2012
Mother, Weserland, Berlin
Things Fall Apart, ECC Atelier Haus, Berlin

2011
48 hours Neuköln, Weserland, Berlin
CK, Prenzlauerberg, Berlin
Kreuzköllnale Film Festival, Atelier Überall, Berlin

2010
The Common Room, London
Atmosphere in a spectrum, Crypt Gallery, London

2009
A Jew In Between, The Foundry Gallery, London

2008
DA!, Collective show, Grosvenor Street, London

Bibliography
2020
Lichterwaldt, Daniel. “The relationship. Rebecca Brodskis,” Les Nouveaux Riches, June 19
Mantelet, Juliette. “Rebecca Brodskis, The Portrait as a Mixture of Genres,” Tafmag, May 13

2019
Farina, Marika J. “Rebecca Brodskis | Rapporto tra individuo e materia,” ZirArtMag, December 21
“rebecca brodskis,” The Kunst Magazine, September 9
Troynar, Luke. “Berlin Art Week Through the Eyes of an (Ex)Berlin Painter,” Goethe-Institut Australien, September

2017
Simoneau, Nicolas. “Artist of the week: Rebecca Brodskis,” KALTBLUT, June 8

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