Richard Wyatt Jr.

Loss, Healing & Restoration

January 8–February 5, 2022

Installation Views

<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

Loss, Healing & Restoration. Installation view, Steve Turner, 2022

<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail
<em>Loss, Healing & Restoration</em>. Installation view, Steve Turner, 2022 thumbnail


Works

Richard Wyatt Jr. <em>Glory Cloud</em>, 2019. Pencil on paper, 65 x 46 3/4 inches (165.1 x 118.7 cm), 69 x 50 1/2 inches (175.3 x 128.3 cm) Framed
Richard Wyatt Jr. <em>Joyce</em>, 2021. Pencil on paper, 30 x 19 7/8 inches (76.2 x 50.5 cm), 34 x 24 inches (86.4 x 61 cm) Framed
Richard Wyatt Jr. <em>The Gifted One</em>, 2021. Charcoal on paper, 30 x 21 inches (76.2 x 53.3 cm), 34 x 25 inches (86.4 x 63.5 cm) Framed
Richard Wyatt Jr. <em>Road to Recovery</em>, 2021. Pencil on paper, 19 1/4 x 16 inches (48.9 x 40.6 cm), 23 x 19 1/2 inches (58.4 x 49.5 cm) Framed
Richard Wyatt Jr. <em>Paul's Work Clothes #1</em>, 2021. Charcoal and graphite on paper, 9 x 12 inches (22.9 x 30.5 cm), 15 1/4 x 21 1/2 inches (38.7 x 54.6 cm) Framed
Richard Wyatt Jr. <em>Paul's Work Clothes #2</em>, 2021. Charcoal on paper, 12 x 9 inches (30.5 x 22.9 cm), 22 1/2 x 15 1/2 inches (57.2 x 39.4 cm) Framed
Richard Wyatt Jr. <em>Self Portrait #1</em>, 2021. Pencil on paper, 10 3/8 x 8 1/4 inches (26.4 x 21 cm), 14 1/4 x 11 3/4 inches (36.2 x 29.8 cm) Framed
Richard Wyatt Jr. <em>Self Portrait #2</em>, 2021. Charcoal and graphite on paper, 9 1/4 x 8 1/4 inches (23.5 x 21 cm), 13 x 11 3/4 inches (33 x 29.8 cm) Framed

Richard Wyatt Jr. Glory Cloud, 2019. Pencil on paper, 65 x 46 3/4 inches (165.1 x 118.7 cm), 69 x 50 1/2 inches (175.3 x 128.3 cm) Framed

Richard Wyatt Jr. Joyce, 2021. Pencil on paper, 30 x 19 7/8 inches (76.2 x 50.5 cm), 34 x 24 inches (86.4 x 61 cm) Framed

Richard Wyatt Jr. The Gifted One, 2021. Charcoal on paper, 30 x 21 inches (76.2 x 53.3 cm), 34 x 25 inches (86.4 x 63.5 cm) Framed

Richard Wyatt Jr. Road to Recovery, 2021. Pencil on paper, 19 1/4 x 16 inches (48.9 x 40.6 cm), 23 x 19 1/2 inches (58.4 x 49.5 cm) Framed

Richard Wyatt Jr. Paul's Work Clothes #1, 2021. Charcoal and graphite on paper, 9 x 12 inches (22.9 x 30.5 cm), 15 1/4 x 21 1/2 inches (38.7 x 54.6 cm) Framed

Richard Wyatt Jr. Paul's Work Clothes #2, 2021. Charcoal on paper, 12 x 9 inches (30.5 x 22.9 cm), 22 1/2 x 15 1/2 inches (57.2 x 39.4 cm) Framed

Richard Wyatt Jr. Self Portrait #1, 2021. Pencil on paper, 10 3/8 x 8 1/4 inches (26.4 x 21 cm), 14 1/4 x 11 3/4 inches (36.2 x 29.8 cm) Framed

Richard Wyatt Jr. Self Portrait #2, 2021. Charcoal and graphite on paper, 9 1/4 x 8 1/4 inches (23.5 x 21 cm), 13 x 11 3/4 inches (33 x 29.8 cm) Framed

Richard Wyatt Jr. <em>Glory Cloud</em>, 2019. Pencil on paper, 65 x 46 3/4 inches (165.1 x 118.7 cm), 69 x 50 1/2 inches (175.3 x 128.3 cm) Framed thumbnail
Richard Wyatt Jr. <em>Joyce</em>, 2021. Pencil on paper, 30 x 19 7/8 inches (76.2 x 50.5 cm), 34 x 24 inches (86.4 x 61 cm) Framed thumbnail
Richard Wyatt Jr. <em>The Gifted One</em>, 2021. Charcoal on paper, 30 x 21 inches (76.2 x 53.3 cm), 34 x 25 inches (86.4 x 63.5 cm) Framed thumbnail
Richard Wyatt Jr. <em>Road to Recovery</em>, 2021. Pencil on paper, 19 1/4 x 16 inches (48.9 x 40.6 cm), 23 x 19 1/2 inches (58.4 x 49.5 cm) Framed thumbnail
Richard Wyatt Jr. <em>Paul's Work Clothes #1</em>, 2021. Charcoal and graphite on paper, 9 x 12 inches (22.9 x 30.5 cm), 15 1/4 x 21 1/2 inches (38.7 x 54.6 cm) Framed thumbnail
Richard Wyatt Jr. <em>Paul's Work Clothes #2</em>, 2021. Charcoal on paper, 12 x 9 inches (30.5 x 22.9 cm), 22 1/2 x 15 1/2 inches (57.2 x 39.4 cm) Framed thumbnail
Richard Wyatt Jr. <em>Self Portrait #1</em>, 2021. Pencil on paper, 10 3/8 x 8 1/4 inches (26.4 x 21 cm), 14 1/4 x 11 3/4 inches (36.2 x 29.8 cm) Framed thumbnail
Richard Wyatt Jr. <em>Self Portrait #2</em>, 2021. Charcoal and graphite on paper, 9 1/4 x 8 1/4 inches (23.5 x 21 cm), 13 x 11 3/4 inches (33 x 29.8 cm) Framed thumbnail

Steve Turner is pleased to present Loss, Healing & Restoration, a solo exhibition of recent drawings by Los Angeles-based Richard Wyatt Jr. The drawings are deeply personal to Wyatt and include depictions of himself, his eighty-eight year-old father, his wife of forty-three years, his youngest daughter and Kobe Bryant, the talented former basketball player who was tragically killed in a helicopter accident in January 2020. There also are two drawings that depict “Paul’s Work Clothes,” a reference to the Apostle and his story of redemption and healing. For Wyatt, drawing has been a way of life for over fifty years, beginning with his studies with the legendary Charles White when he was a teenager. He describes his process as one of observation, not copying, and uses abstract lines and marks to interpret his subjects.  As his drawings require months of work, he only chooses subjects that are important to him so that his drive and interest will not diminish. Big themes always motivate Wyatt, and in this case, his drawings relate to the unavoidability of loss, the possibility of healing and the inevitability of a new day.

Richard Wyatt Jr. (born 1955, Los Angeles) has been a presence in the Los Angeles art scene since the 1960s when he studied at the Watts Towers Art Center and attended the Saturday Tutor Art Program at the Otis Art Institute. Wyatt later obtained a Bachelor of Fine Arts from the University of California, Los Angeles (1978) and has taught drawing and painting at the University of California, Irvine; Otis Art Institute, Los Angeles and the Watts Towers Art Center, Los Angeles. His work has been regularly exhibited since 1971 with solo exhibitions at Steve Turner Gallery, Los Angeles (2005); Santa Monica Museum of Art (1991) and group exhibitions at LACMA, (2022, 2019 & 1972); Salon 94, New York (2020); Frye Art Museum, Seattle (2001); California African American Museum, Los Angeles (2016, 2011, 2006 & 1992) and Santa Monica Museum of Art (1992). Wyatt has also created notable public art works including those at the Robert F. Kennedy Monument, Los Angeles (collaboration with May Sun); Capitol Records Building, Hollywood and Spike’s Joint, Los Angeles.

Born 1955, Lynwood, California
Lives and works in Los Angeles

Education
1978 BFA, University of California, Los Angeles

Solo Exhibitions
2022
Loss, Healing & Restoration, Steve Turner, Los Angeles

2005
About Face, Steve Turner, Los Angeles

1998
Family Collections and Recollections, Cal-State University Dominguez Hills Art Gallery, Carsons

1991
Richard Wyatt: Central Avenue Jazz, Santa Monica Museum of Art

1988
Current Thoughts, Robert Berman Gallery, Los Angeles

Group Exhibition
2022
Black American Portraits, Los Angeles County Museum of Art (upcoming)

2020
Frieze, London (with Salon 94)
Portraiture: A Private Room, Salon 94, New York

2019
Life Model: Charles White and His Students, Los Angeles County Museum of Art

2016
Reflections of the Self: Selections from the Permanent Collection, California African American Museum, Los Angeles

2015
Collectors’ Legacy, Selections from the Sandra and Lloyd Baccus Collection, The David C. Driskell Center, College Park, Maryland
L.A. Muralists: In Their Studios II, Couturier Gallery, Los Angeles
Black SoCal: Art and Practice in an Evolving Landscape, Palazzo Querini Stampalia, Venice, Italy

2012
Places of Validation, Art & Progression, California African American Museum, Los Angeles
Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and The Watts Towers Art Center, Watts Tower Art Center, Los Angeles

2010
Art, Activism, Access: 40 Years of Ethnic Studies at UCLA, Fowler Museum, Los Angeles The Arthur Primas Collection, 200 Years of African American Art, Irving Arts Center

2009
Distinctly Los Angeles: An African American Perspective, M. Hanks Gallery, Santa Monica

2008
Looking Ahead: Portraits from the Mott-Warsh Collection, Muskegon Museum of Art, Michigan
Visions: Selections from the James T. Dyke Collection of Contemporary Drawings, Naples Museum of Art, Florida

2006
Looking Back, Looking Black, African American, African and Latino Images, From the Robert E. Holmes Collection, Kansas African American Museum, Wichita
More Than Meets the Eye, Perspective from the Robert E. Holmes Collection, California African American Museum, Los Angeles

2005
Affirming a Legacy, North Carolina Central University Museum, Durham

2004
Affirming a Legacy, North Carolina A&T State University Museum, Greensboro

2002
Drawings VI, Koplin Gallery, Los Angeles
Representing L.A., The Laguna Art Museum

2001
Representing L.A., Corpus Christi Art Museum

2000
Representing L.A., Frye Art Museum, Seattle

1999
Figure This, Cal State Los Angeles Fine Arts Gallery

1994
LAX Los Angeles Biennial (with Armory Center for the Arts)

1993
Dress Codes; Urban Folk Fashion, Smithsonian Institution Experimental Gallery, Washington, D.C.
Drawings III, Koplin Gallery, Santa Monica
Venice Art Walk (with Docent Tours)
Six Los Angeles Muralists, Koplin Gallery, Santa Monica

1992
Breaking Barriers, Santa Monica Museum of Art
No Justice, No Peace? Resolutions…, California African American Museum of Art, Los Angeles

1990
L.A. Muralists: In Their Studios, Couturier Gallery, Los Angeles

1989
Merging One Gallery, Santa Monica

1986
Arizona State University Art Museum, Tempe
Western College Art Gallery, Yuma

1985
Gemini G.E.L. Gallery, Los Angeles

1983
Heritage Gallery, Los Angeles

1982
Ankrum Gallery, Los Angeles
Heidelberger Kunstverein Gallery, Heidelberg, Germany

1979
Vision of a Spirit, California African American Museum of Art, Los Angeles

1977
Municipal Art Gallery, Los Angeles

1976
Brand Art Gallery, Glendale

1972
Panorama of Black Artists, Los Angeles County Museum of Art

1971
Jewish Community Center Art Gallery, Los Angeles
Security Pacific National Bank Traveling Exhibition

Grants and Awards
1989
Dewar’s Young Artist Recognition Award for Painting, Los Angeles

1986
Pollock-Krasner Foundation Grant, New York

1975
Municipal Gallery Purchase Aware, Los Angeles

Bibliography
2021
Lee, Spike. “Spike,” Chronicle Books
Cohen, Patricia. “America’s Reopening: An Agonizing Delay,” The New York Times, September 19
Smith, Melissa. “In Compton, a school That Paved the Way for Generations of Black Artists,” The New York Times, June 1

2020
McGreevy, Patrick. “Bill Would Mandate Diversity on Boards: Modeled after law requiring minimum number of women,” The San Diego Union Tribune, September 2
Caresse Saikali, Lara. “A Los Angeles Treasure: Richard Wyatt Jr.,” Medium, June 20
Binlot, Ann. “5 artists tell us the hardships–and benefits–of creating in isolation,” Document Journal, June 12
Leung, Gabrielle. “Artists Of Color Reflect On Own Identities in ‘Portraiture: A Private Room’,” HYPEBEAST, June 4

2019
“The Legacy Issue,” LACMA Insider Magazine
Closs, Wyatt. “Charles White in Three Dimensions: Work, Teaching and Legacy,” LA Weekly, April 4
Sava, Kenn. “Charles White—Now,” Nighthawknyc.com, January 19
Adler, Esther. ““If You Know, Teach”: Charles White as Teacher,” The Museum of Modern Art Magazine, January 11
Tomas, Nora. “Charles White’s Famous Students on Why They—and the Art World—Wouldn’t Be the Same Without His Work,” Observer, October 12

2018
James Marhsall, Kerry. “A Black Artist Named White,” The Paris Review, May 31
Adler, Esther. “Charles White: A Retrospective,” The Art Institute of Chicago and The Modern Museum of Art

2017
Hill, Shannen. “Los Angeles Artist Richard Wyatt Jr. Creates an Art Legacy with Everlasting Murals,” Los Angeles Sentinel, November 16

2016
Ohanesian, Liz., “Metro’s Art-filled Stations Enliven the Transportation Experience,” KCET Artbound, August 17
Sonksen, Mike. “Learning From Masters: Ray Bradbury and Richard Wyatt Jr. At Los Angeles High School,” Entropy Magazine, August 4

2015
Vankin, Deborah and Hamedy, Saba. “Google Cultural Institute database wants to give street art permanence,” The Los Angeles Times, March 18

2014
Hart, Hugh.“Stationed in Los Angeles,” UCLA Magazine, October 1
Fallon, Michael. “Creating the Future: Art and Los Angeles in the 1970s,” Counterpoint, September
Madans, Hannah and Ramirez, Martha. “Muralists from 1984 Olympics Celebrated”, Los Angeles Register, August 25
Gelt, Jessica. “L.A. again carries a torch for 1984 Olympic murals, their artists,” The Los Angeles Times, August 20
Bradley, William. “Los Angeles Union Station: Tracks to the Future,” Angel City Press, May
Sonksen, Mike. “Richard Wyatt: Artist for Los Angeles,” KCET, February 7

2013
Reynolds, Christopher. “Postcards From the West: Union Station bustles with film plots,” The Los Angeles Times, November 22
Reynolds, Christopher. “In L.A., it’s free to see two strong, beautiful public-art heroines,” The Los Angeles Times, November 22
Silsbee, Kirk. “Stardust Memories: A Look Back at the History of Jazz in Hollywood,” Playboy Jazz Festival 35th Anniversary Program, June
Kete Asante, Molefi. “The African American People: A Global History,” Routledge, June
Silsbee, Kirk. “Capitol Records Jazz Mural Restored,” DownBeat Magazine, February 25
Lewis, Randy. “A Wall of Fame Sparkles Anew,” The Los Angeles Times, February 19
M. Marter, Joan. “The Grove Encyclopedia of American Art, Volume 1,” Oxford University Press

2011
Georgesco, Christopher. “L.A. Rising, SoCal Artist Before 1980,” Modern Contemporary Sculpture
Lessick, Helen. “Still I Rise, Southern California public art in the time of furloughs,” Public Art Review

2010
Guisee, Dee. “Palisades Kennedy Family Awaits Opening of RFK Inspiration Park,” Palisades Post, November 11
“Museum Without Walls,” CultureNOW
Blume, Howard. “New Campus, Built-In History,” The Los Angeles Times, September 13
“Our Love of John T. Scott,” California African American Museum, March
Villarreal, Yvonne. “Richard Wyatt’s reunion with his youthful art at UCLA Fowler Museum,” The Los Angeles Times, March 2
Sharpe, Kelsey. “Mystery of mural leads to Bruin of distinction,” UCLA Today, February 25

2008
Mortice, Zach. “At Gonzalez Goodale’s Wilshire Public, a Monument to a Dead Hero and Living Activism: A site already laden with history takes on the legacy of RFK,” AIArchitect This Week, October 24
Gordon, Margery. “Eyes On The Prizes,” The International Magazine, February

2007
Grant, Daniel. “Much African-American Art Rolls Over Estimates at Swann,” ARTnews, October 16
Wolfe, Townsend. “Visions: Selections from the James T. Dyke Collection of Contemporary Drawings”

2004
Von Blum, Paul. “Resistance, Dignity, and Pride: African American Artists In Los Angeles,” Ralph J. Bunche Center for African American Studies at UCLA

2003
Rees, Brenda. “Art for the People,” Westways Magazine, November
Overend, William. “Murals Make Downtown Lompoc an Outdoor Gallery,” The Los Angeles Times, November 17

2002
Barnwell Brownlee, Andrea. “Charles White (David C. Driskell Series of African American Art, V.1),” Pomegranate
Roots, Garrison. “Designing The World’s Best Public Art”
“The Nation,” The New York Times, February 10
“Representing L.A.: Pictorial Currents in Contemporary Southern California Art,” Juxtapoz, Magazine, May

2000
“II transporto pubblico a Los Angeles,” Casabella, November
“Vol. 13, No. 40,” The Downtown Gazette, October
“Uncovering Diversity,” Press-Telegram, September
“Metro Art in Los Angeles,” Mass Transit, May
“L.A. Influential,” Pittsburgh Tribune-Review, March 12
“Art On The Move,” Art & Antiques, Magazine, January
“The Art Around Us,” Pasadena Star News, January 28

1999
““American Graffiti,” L.A. a cura di Massimo Cavallini e Valeria Palumbo Filiale di Milano,” Capital Magazine, February
Los Angeles,” Lonely Planet

1998
R. Lippard, Lucy. “The Lure of the Local,” The New Press
“Los Angeles from A to Z,” The Swissair Gazette, July
King, Jennifer. “Making Art for the Masses,” The Artist’s Magazine, May
“Cultural Shock-Ontario Airport Art,” The Press-Enterprise, June 28
“Mural Reflects Community Pride,” The Desert Sun, March 29
“Family Portraits,” The Press-Telegram, February 3
“Richard Wyatt: People Coming, People Going,” Art in America, August
Abrams, Harry. “California Art of the State

1997
“Painting the Towns: Murals of California,” Dunitz and Prigoff
“Where Paths Meet,” Choices in Literature
“The International Review of African American Art, Vol. 14,” Number 3
“L.A. Muralists Paint the Town,” The Christian Science Monitor Newspaper, January 6

1996
“Town Hopes Murals Will Put It On Map,” The New York Times, November 10 “Perspectives in African American Art,” Ebony Magazine, February
“Gateway to City of Dreams,” The Los Angeles Times, October 29
“This is the City L.A.,” The Black Convention Magazine, August

1994
“Screen Actors Guild,” Interiors Magazine, January

1993
“The Muralist As Social Critic: Wyatt’s Work Reflects Views on African American Community,” The Daily News, April 16

1992
“Walls of History,” Sunset Magazine, July
“Black Art Panelists Are Open to Interpretation,” The Los Angeles Times, January 24

1991
Handel, Nelson. “Central Avenue Jazz At The Santa Monica Museum of Art,” KCRW, December 17
“The Best of the Weekend,” The Los Angeles Times, November 15
“Artist Richard Wyatt and All That Jazz,” The Outlook, November 15
“Wyatt’s ‘Central Avenue Jazz’ Honors a Community Near and Dear to Him,” The Los Angeles Times, November 10
“Writing on the Wall,” New Art Examiner, November
“Public Art: The Painting on the Wall,” Alaska Airlines Magazine, April
“Lompoc Mural Salutes City’s Ethnic Diversity,” The Santa Barbara News, April 6
“Back to the Wall,” The Los Angeles Times, February 14
“All That Jazz,” The Los Angeles Times, January 24

1990
“Vol. 4, No. 37,” L.A. Jazz Scene, September “Volume IV, Number 2,” Tracks Magazine, April
“June Issue,” American Artist Magazine

1985
“Liberty: The Statue and the American Dream,” National Geographic Society
“Volume 3,” Art + Architecture

1984
Die Kunst Magazine, January
“Number 41,” Reportages, June
“Olympic Arts Festival,” The Los Angeles Times Syndicate

1983
Varitier, M. and de Naniee, A. “Die Zweite Dimension

1982
Barthelmeh, Volker. “Street Murals
“No. 37,” State of the Arts, September

1980
“Quincy Jones Anniversary Album,” A&M Records
“Third Quarter,” Freedomways Magazine

1979
Farr, Francine. “Four Context for the Human Form,” Artweek Magazine, May 12

1978
“Vol. 9,” Artweek Magazine, September 9

1968
“The Quiet Demonstrator,” UCLA Alumni Magazine