Hannah Perry

Always

Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
Hannah Perry, London, Steve Turner, Los Angeles, Always
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Always, Installation view, Steve Turner, February 2015

Always, Installation view, Steve Turner, February 2015

Always, Installation view, Steve Turner, February 2015

Always, Installation view, Steve Turner, February 2015

Always, Installation view, Steve Turner, February 2015

Always, Installation view, Steve Turner, February 2015

Always, Installation view, Steve Turner, February 2015

Always, Installation view, Steve Turner, February 2015

Always, Installation view, Steve Turner, February 2015

Always, Installation view, Steve Turner, February 2015

Always, Installation view, Steve Turner, February 2015

Vibes 1, 2015. Welded steel, mirrored vinyl, subwoofer, metal cables, 92 x 33 x 10 inches

Vibes 1, 2015. Welded steel, mirrored vinyl, subwoofer, metal cables, 92 x 33 x 10 inches

Everything is Still What It Was,2015. Silkscreen print and vinyl on mirrored plexiglass, 48 x 84 inches

Static Repetitive Behavior, 2015. Silkscreen print and vinyl on aluminum; steel, subwoofer and metal cables, 76 x 84 x 8 1/2 inches

Wow, Sorry For All My Dreams Last Night, 2015. Silkscreen print and vinyl on mirrored plexiglass, 48 x 84 inches

Vague Fantasies, 2015. Silkscreen print and tinted lacquer on aluminum, 56 x 47 inches

All Over Your Sheets, 2015. Silkscreen print and vinyl on aluminum, 72 x 47 inches

Less Talking More Dancing, 2015. Silkscreen print, vinyl and lipstick on aluminum, 72 x 47 inches

You're Gonna Be Great, 2015. Silkscreen print and vinyl on aluminum, 72 x 47 inches

Mythologizing, 2015. Silkscreen print and vinyl on aluminum, 72 x 47 inches

What Are You Thinking About, 2015. Silkscreen print, acrylic paint and vinyl on aluminum, 47 x 39 inches

Vibes 3, 2015. Welded steel, frosted vinyl, subwoofer, metal cables, 92 x 33 x 10 inches

Vibes 3, 2015. Welded steel, frosted vinyl, subwoofer, metal cables, 92 x 33 x 10 inches

You're Gonna Be Great, 2015. Digital video, 12 minutes, 17 seconds (still)

You're Gonna Be Great, 2015. Digital video, 12 minutes, 17 seconds (still)

You're Gonna Be Great, 2015. Digital video (still)

You're Gonna Be Great, 2015. Digital video (still)

You're Gonna Be Great, 2015. Digital video (still)

You're Gonna Be Great, 2015. Digital video (still)

You're Gonna Be Great, 2015. Digital video (still)

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February 14 – March 14, 2015
Opening reception: Saturday, February 14, 7–9

Steve Turner is pleased to present Always, a solo exhibition by London-based Hannah Perry which features video, sound sculpture and painting. Her works are a mash-up of processes and materials–screen printing, painting and collage on aluminum, vinyl and acrylic with welded steel adding heft to the installation. The centerpiece of the exhibition is a twelve minute video that will be screened in the project room. In turn, it will be connected via speaker wires to the mirror-finished sound sculptures that vibrate in the main room. Finally, Perry will install a selection of paintings on the walls of the main room which contain abstracted images from the video. As the images in the video are repeated in the paintings, so too is its rhythm and sound in the sound sculptures. In so doing, Perry animates through vibration her narrative relating to youth, love and power, from video to sound sculpture to painting.

Born in Cheshire, England, Perry later studied in London, earning a BA from Goldsmiths College and an MA from the Royal Academy. In 2014 she had solo projects in London at the Zabludowicz Collection and the Serpentine Gallery. This is her first exhibition at Steve Turner as well as her first exhibition in the United States.

Born 1989, Cheshire, England
Lives and works in London


Education

2014
MA Fine Art Royal Academy of Art, London
2009
BA Fine Art Goldmiths College, London

Selected Exhibitions

2015
Always, Steve Turner, Los Angeles
Under a Thawing Lake, Dark Arts International, Mexico City
Boiler Room, London (upcoming performance)
2014
One Park Memory, One Park Imagination, The Moving Museum, Istanbul
Private Setting Art After the Internet, MOMA, Warsaw
 Horoscopes (Déjà Vu), Serpentine Galleries, London (performance)
Degree Show, Royal Academy, London
Solo Booth, NADA, New York
Flora Forna, Kinman Gallery, London
PLAT(T)FORM 2014, Fotomuseum Winterthur, Zurich
New Order II, Saatchi Gallery, London

2013
Contemporary Art Club part 3: DATA, (Stedelijk at Trouw), Stedelijk Museum, Amsterdam
Open Heart Surgery, The Moving Museum, London
Dropbox, Modern Art Oxford, Oxford
Just Relax, Barbican Centre, London
Instability of the Image, Paradise Row, London
Secondo Anniversario, Seventeen Gallery and bubblebyte.org, London
Premiums, Interim Projects, Royal Academy Of Arts, London
Hetroutopias, New End Art Foundation, New York
While It Lasts, Eastside Projects, Birmingham
Open File, Spike Island, Bristol
Art Bosphoros, Istanbul

2012
The Open Office, with Clunie Reid, Arcadia Missa, London
Chester, with Jacqueline Bebb, Timmy Foxon, Ryan Gander, Tom Howse, Max Hymes, Stuart Middleton, Jesse Wine, CO2 Gallery, Rome
Happy Paralysis, Les Urbaines, Switzerland
Para Production, Boetzelaer|Nispen, Amsterdam
Erotic Discourse, V22, London
IL CAVALIERE, Royal Standard, Liverpool Biennial
Lausanne and Young London, V22, London
Pami, South London Gallery, London
E Vapor 8, 319 Scholes, New York
Keeping Time, Bubblebyte.org, online gallery
Erotic Discourse, Zabludowicz Gallery, London
Resonance FM – 20 min Live feed DJ set, Hotel Palenque, London

2011
Les Télévisions, French Riviera 1988
Frieze Art Fair, London
Sublimate Bass, Tate Britain
BodyHacker (with Paul Purgas), Focal Point Gallery, Essex

Selected Bibliography

2014
Reyburn, Scott. “On Screen and on the Block” The New York Times, May 30
Swift, T. “Hannah Perry at Serpentine Galleries Reviewed” aqnp, September 22

2013
Thorne, Sam. “Filmmaking as a Series of Introductions” Focus Interview, April
International Art Magazine of Contemporary China. “Moving up” LEAP, June 4
Nagesh, Ashitha. “The Instability of the Image” London Artforum, September 12
Pilger, Zoe. “Art Review: Open Heart Surgery, The Moving Museum, London” The Independent, October 30

2012
Freedman, Alex. “Artist Profile: Hannah Perry” Rhizone, June 28
Thorne, Sam. “They Year in Review UK” Frieze, October 24